Hall, Patricia. “Compositional Process in WozzeckandLulu: A Glimpse of Berg’s Atonal
Method,” 528; “Role and Form in Berg’s Sketches for Lulu,” 529; “The Sketches for
Lulu,” 530; A View of Berg’s “Lulu” through the Autograph Sources, 537
Hallman, Diana R. “The French Grand Opera La juive(1835): A Socio-Historical Study,”
939
Haltrecht, Montague. The Quiet Showman: Sir David Webster and the Royal Opera
House, 325
Hamm, Charles. “The Theatre Guild Production of Porgy and Bess,” 862
Hammer, Sabine. Oper in Hannover: 300 Jahre Wandel im Musiktheater einer Stadt, 2396
Hammond, Frederick. Music and Spectacle in Baroque Rome: Barberini Patronage under
Urban VIII, 2567
Handbook of Latin American Studies, 2115*
Handel: A Celebration of His Life and Times, 952
Händel auf dem Theater: Bericht über die Symposien der Internationalen Händel-
Akademie, Karlsruhe, 1986 und 1987, 949
Handel Collections and Their History, 948
Händel, Georg Friedrich. Hällische Händel-Ausgabe, 940
Händel Jahrbuch, 954
Handel Sources: Material for the Study of Handel’s Borrowing, 947
Handel, Tercentenary Collection, 950
Handel’s National Directory for the Performing Arts, 2738
Hannemann, Beate. Im Zeichen der Sonne: Geschichte und Repertoire des Opernhauses
“La Fenice” von seiner Gründig bis zum Wiener Kongress (1787–1814), 2587
Hanning, Barbara. “Apologia pro Ottavio Rinuccini,” 268; “The Influence of Humanist
Thought and Italian Renaissance Poetry on the Formation of Opera,” 383
Hanns Eisler Miscellany, 829
Hansell, Sven H. “The Cadence in 18th-Century Recitative,” 359; “Ferdinando Bertoni’s
Setting of Calzabigi’s Orfeo ed Euridice,” 572
Hanslick, Eduard. Music Criticisms, 1846–99, 426
Hardie, Graham Hood. “Leonardo Leo (1694–1744) and His Comic Operas Amor vuol
sofferanzaand Alidoro,” 1108; “Neapolitan Comic Opera, 1707–1750: Some Addenda
and Corrigenda for the New Grove,” 2536
Harding, James. Gounod, 920; Massenet, 1166
Harich, János. “Das Repertoire des Opernkapellmeisters Joseph Haydn in Esterháza
(1780–1790),” 1024
Harnoncourt, Nikolaus. The Musical Dialogue: Thoughts on Monteverdi, Bach, and
Mozart, 1226; Der musikalische Dialog: Gedanken zu Monteverdi, Bach und Mozart,
1226
Harper, Nancy Lee. Manuel de Falla: A Bio-Bibliography, 834
Harris, Claude. Opéra à Marseille, 1685–1987, 2337
Harris, Ellen T. Handel and the Pastoral Tradition,963; Henry Purcell’s “Dido and
Aeneas,” 1523
Hartlieb-Wallthor, Artur. “80 Jahre Der Rosenkavalier,” 1742; “Die Personen im
Rosenkavalier,” 1741
Hartmann, Rudolf. Les grands opéras: Décor et mise en scène, 308; Oper: Regie und Büh-
nenbild Heute,308; Opera, 308; Richard Strauss: Die Bühnenwerke von der Urauf-
führung bis heute,309; Richard Strauss: The Staging of His Operas and Ballets, 309
Harvard Biographical Dictionary of Music, 166
Harwood, Gregory. Giuseppe Verdi: A Guide to Research,1800; “Verdi’s Reform of the
Italian Opera Orchestra,” 1861
Haskell, Harry, ed. The Attentive Listener: Three Centuries of Music Criticism, 423
Hasse-Studien, 1003
Hastings, Baird. Wolfgang Amadeus Mozart: A Guide to Research, 1259
Hastings, Margaret. “Gluck’s Alceste,” 900
Hawig, Peter. Jacques Offenbach: Facetten zu Leben und Werk, 1367
Hawkins, Jocelyn Hunter. “Hofmannsthal’s Elektra: The Play and the Opera,” 1726
Haydn and His World, 1014
Index of Authors and Main Entries 583