Opera

(Marvins-Underground-K-12) #1

Mapleson, James Henry (“Colonel”). The Mapleson Memoirs, 1848–1888, 315
Mapp, Edward. Directory of Blacks in the Performing Arts, 168
Marcello, Benedetto. Il teatro all moda, 431
Marchesi, Gustavo. “Gli anni del Rigoletto,” 1915; “Gli anni della Forza del destino,”
1885; “Gli anni di Ernani,” 1876
Marchetti, Leopoldo. Puccini nelle immagini, 1452
Marco, Guy A., Sharon Paugh Ferris, and Ann G[arfield] Olszewski. Information on
Music: A Handbook of Reference Sources in European Languages, 3
Marco, Guy A. Checklist of Writings on American Music, 1640–1992, 2733; Literature of
American Music III, 1983–1992, 2732; “On Key Relations in Opera,” 418
Marek, George. “The Case of the Murdered Libretto,” 291
Maretzek, Max. Crotchets and Quavers, 316; Revelations of an Opera Manager in 19th-
Century America,316; Sharps and Flats, 316
Mariano, Emilio. “Felice Romani e il melodramma,” 271
Marica, Marco. “Le traduzioni italiane in prosa di opéras comiquesfrancesi (1763–
1813),” 93
Markstrom, Kurt Sven. “The Operas of Leonardo Vinci, Napoletano,” 1948
Marles, Candace. “Music and Drama in the Hanover Operas of Agostino Steffani (1654–
1728),” 1686; “Opera as instrumentum regni: Agostino Steffani’s Enrico Leone,” 1685
Marotti, Ferruccio. “Lo spazio scenico del melodramma, esaminato sulla base della tratta-
tistica teatrale italiana,” 2575
Marques, José Joaquim. Cronologia da ópera em Portugal, 2629
Marri, Federico, ed. La figura e l’opera di Ranieri de Calzabigi, 237
Marriott, Richard John. “Gian Carlo Menotti: Total Musical Theatre; A Study of His
Operas,” 1183
Marrone, Giovanell Cresci. “La ‘romanità’ delNerone,” 599
Marsh, M. “Turn of the Screw: Britten and Piper’s Operatic Fulfillment of Henry James’
Novella,” 648
Martens, Frederick Herman. A Thousand and One Nights of Opera, 201
Martin, Dennis Roy. “The Operas and Operatic Style of John Frederick Lampe (1703?-
1751) with a Commentary and Critical Edition of His Most Important Work, The
Dragon of Wantley,” 1100
Martin, George Whitney. Aspects of Verdi, 1805; The Opera Companion to Twentieth-
Century Opera,43; Verdi at the Golden Gate: Opera and San Francisco in the Gold
Rush Years, 1835
Martin, Robert C. “Wagner’s Ring: A Doorway to Perception,” 2034
Martino, Daniele A. Catastrofe sentimentali: Puccini e la sindrome pucciniana, 1462
Martyn, Barrie. Rachnaminoff: Composer, Pianist, Conductor, 1532
Marvin, Roberta Montemorra. “Aspects of Tempo in Verdi’s Early and Middle Period Ital-
ian Operas,” 1850; “Verdi’s I masnadieri: Its Genesis and Early Reception,” 1899
Mascagni e l’ “Iris” fra simbolismo e floreale, 1163
Mason, Charles. “A Comprehensive Analysis of Roger Sessions’ Opera Montezuma,”
1664
Massoff, Ioan. Teatrul romînesc; privire istoricX, 2631
Masson, Paul-Marie. “French Opera from Lully to Rameau,” 58; L’opéra de Rameau,
1541
Mates, Julian. The American Musical Stage before 1800, 2750
Mattern, Volker. “La finta giardiniera”: Ein Vergleich der Vertonungen von Pasquale
Anfossi und Wolfgang Amadeus Mozart, 458
Mattfeld, Julius. A Handbook of American Operatic Premieres, 1731–1962, 2751
Mauser, Siegfried. “Musikalische Dramaturgie und Phänomene der Personencharakteristik
in Glucks Orfeo,” 884
Maximovitch, Michel. L’opéra russe, 1731–1935, 2646
Maxym, Robert. “Gedanken zu Wolf-Ferraris Opern: Aus der Praxix eines Dirigenten,”
2105
Mayer, Hans. Richard Wagner in Bayreuth, 1876–1976, 2373
Mayer, Martin. The Met: One Hundred Years of Grand Opera, 2792


596 Opera


http://www.ebook3000.com

Free download pdf