Opera

(Marvins-Underground-K-12) #1

Vonásek, Rudolf. “Gesang und Schauspielkunst in den Opern von Bohuslav Martinu ̊,”
1156
Voss, Egon. “Der Barbier von Bagdadals komischer Oper,” 714
Vuillermoz, Gustave Marie Joseph. Cent ans d’opéra a Lyon: Le centenaire du Grand
Théâtre de Lyon, 1831–1931, 2336


Wade, Mara R. The German Baroque Pastoral “Singspiel,” 2350
Wagner, 1978
The Wagner Companion, 1974
The Wagner Compendium: A Guide to Wagner’s Life and Music, 1976
Wagner, Cosima. Cosima Wagner: Die Tagebücher, 1869–1877, 1878–1883,1996;
Cosima Wagner’s Diaries, 1996
Wagner, Gottfried. Weill und Brecht: Das musikalische Zeittheater, 235
Wagner, Günter. Peter Cornelius: Verzeichnis seiner musikalischen und literarischen
Werke, 715
Wagner Handbook, 1975
Wagner, Hans. 200 Jahre Münchener Theaterchronik, 1750–1950, 2404
Wagner, Hans-Joachim. “Studie zu Boulevard solitude, lyrisches Drama in sieben Bildern
von Hans Werner Henze,” 1044
Wagner, Heinz. Das grosse Operettenbuch: 120 Komponisten und 430 Werke, 210
Wagner, Manfred. Alfred Roller in seiner Zeit, 371
Wagner News (Chicago), 1979
Wagner News (London), 1978
Wagner, Richard. Das braune Buch, 1980; The Brown Book, 1980; The Diary of
Richard Wagner, 1980; Gesammelte Schriften und Dichtungen, 1981; Das Kunstwerk
der Zukunft, 379; Mein Leben,1980
; Richard Wagner’s Prose Works, 1981; Sämtliche
Schriften und Dichtungen, 1981; Sämtliche Werke, 1963; Selected Letters of Richard
Wagner, 1980; Wagner on Music and Drama: A Compendium of Richard Wagner’s
Prose Works, 1982
Wagnerliteratur—Wagner Forschung: Bericht über das Wagner-Symposium, München,
1983, 1973
Wagstaff, John. André Messager: A Bio-Bibliography, 1188; “Libraries and Archives,” 121*
Waldoff, Jessica, and James Webster. “Operatic Plotting in Le nozze di Figaro,” 1268
Waldoff, Jessica. “Don Giovanni: Recognition Denied,” 1310; “The Music of Recogni-
tion: Operatic Enlightenment in The Magic Flute,” 1341
Waldorff, Jerzy.Opera PoznaQska, 1919–1969, 2623
Walker, Frank. “Chronicle of the Life and Works of Nicola Porpora,” 1423; “Orazio: The
History of a Pasticcio,” 468
Walkling, Andrew H. “Performance and Political Allegory in Restoration England: What
to Interpret and When,” 1514
Wallaschek, Richard. Das K. K. Hofoperntheater, 2138
Walsh, Stephen. The Music of Stravinsky, 1754
Walsh, T. J. Monte Carlo Opera, 1879–1909, 2600; Monte Carlo Opera, 1910–1951,
2601 ; Opera in Dublin, 1705–1797: The Social Scene,2418; Opera in Dublin,
1798–1820: Frederick Jones and the Crow Street Theatre,2419; Opera in Old Dublin,
1819–1838, 2420; Second Empire Opera: The Théâtre Lyrique, Paris 1851–1870, 2329
Walter, Horst. “On the History of the Composition and Performance of La vera costanza,”
1042
Walter, M. “Komponistorischer Arbeitsprozess und Werkcharacter bei Donizetti,” 787
Walter, Michael. Hugenotten-Studien, 1197
Walton-Myers, Edith Hays. “Antonio Salieri’s La cifra: The Creation of a Late 18th-Cen-
tury Opera,” 1607
Warburton, Ernest. “A Study of Johann Christian Bach’s Operas,” 472
Ward, Kelly M. “An Analysis of the Relationship between Text and Musical Shape...in
Four Saints in Three Actsby Virgil Thomson,” 1781
Warrack, John Hamilton. Carl Maria von Weber, 2087; “The Influence of French Grand
Opera on Wagner,” 2269; “Mendelssohn’s Operas,” 1181


Index of Authors and Main Entries 619

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