Microsoft Word - Piano Book.docx
Alexander Lambert was born in Warsaw in 1862 and died in New York in 1929. At the age of twelve he played for Anton Rubinstein w ...
With the concurrence of Hans von Bülow, who was the honorary president of the Raff Conservatoire [in Frankfurt], I set out for W ...
octaves. What I wish to hear is the canter of the horses of the Polish cavalry before they gather force and destroy the enemy.’ ...
I observed that Anton Rubinstein had played ‘Islamey’ at his last historical concert in Berlin and that he used comparatively li ...
Theodor Leschetizky (1830-1915) was a Polish pianist, teacher and composer. This was the germanised name he used, the Polish spe ...
Leschetizky emphasised that he did not have a method but he did approve the manual by his studio assistant Malwine Bree entitled ...
teacher who died abroad last year in his eightieth year. Paderewski had studied with Leshetizky when he began his career as a vi ...
Leschetizky was a noble, generous, and broad-minded man. His attitude toward life and toward art was exemplified by the fact tha ...
influence in forming a tradition to be carried on by pupils could not be compared to that of Leschetizky. He was the next domina ...
music school of his own in Berlin. In 1898 he went to London as a professor in charge of the masterclasses at the Guildhall Scho ...
To a composer who brought him his latest work: ‘Your music contains many new and beautiful things, but the beautiful ones are no ...
For example, six choral and instrumental works were written at about the same time in 1850 for the Weimar festival celebrating t ...
they were played, although popular in the first three decades of the twentieth century, fell into disuse from about 1930. We are ...
BRAILOWSKY Alexander: Gnömenreigen 3:01 BUSONI Ferruccio: Gnömenreigen 2:31 BUSONI Ferruccio: Adelaïde 9:35 BUSONI Ferruccio: F ...
Gerard Carter All rights reserved 2005 Wensleydale Press CD of Liszt pupils & Liszt disciples The following are the details ...
“Even though one might presume that pianists would employ the pedal correctly, nevertheless, because of so many aurally offensiv ...
The Pädagogium says this about the Lento assai (bar 754): ‘The C in the bass should be held on with the pedal until the entry of ...
Source: Page 64 of ‘Possibilities of Tone Color by Artistic Use of Pedals’ by Teresa Carreño contained in ‘The Art of Pedaling: ...
Sostenuto pedal The use of the sostenuto pedal is not indicated by Liszt. That pedal was invented by Boisselot in 1853 but not d ...
Viennese grand pianos by Streicher and Bösendorfer, a spinet that had belonged to Mozart and a piano organ. Visitors to the Alte ...
«
4
5
6
7
8
9
10
11
12
13
»
Free download pdf