Modern American Poetry
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253 All my beautiful safe world blew up.... —F. Scott Fitzgerald, Tender Is the Night The age demanded an image Of its accelerat ...
(^254) Edward Hirsch inherited a fallen world, a world changed by the experience and knowledge of trench warfare, the blood-dren ...
Helmet of Fire: American Poetry in the 1920s 255 central summary text of generational despair over the decline of the West. In A ...
(^256) Edward Hirsch After the war a deep change took place in black consciousness around the country. The writers of the Harlem ...
Helmet of Fire: American Poetry in the 1920s 257 the younger generation the Jazz Age—which was also an Age of Dismay— was a libe ...
(^258) Edward Hirsch of the comprehensive “mind of Europe,” placed American poetry firmly in a European context and tradition. ( ...
Helmet of Fire: American Poetry in the 1920s 259 “Gerontion,” is a free-verse dramatic monologue which stands in the line of “Pr ...
(^260) Edward Hirsch that he is expressing only his private experiences ... yet for his readers what he has written may come to ...
Helmet of Fire: American Poetry in the 1920s 261 the poem. In his essay on Joyce’s Ulysses,“Ulysses, Order, and Myth,” Eliot def ...
(^262) Edward Hirsch of post–Civil War Southern poetry. Initially, they showed little interest in regional self-consciousness an ...
Helmet of Fire: American Poetry in the 1920s 263 war of inner human tensions and oppositions—the split between body and soul, de ...
(^264) Edward Hirsch “Narcissus as Narcissus,” Tate argues that “the poem is ‘about’ solipsism, a philosophical doctrine which s ...
Helmet of Fire: American Poetry in the 1920s 265 Eliot returned us to the classroom just at the moment when I felt that we were ...
(^266) Edward Hirsch what Webster Schott terms “crisis books.”^37 Written in white heat, their style is fervent, headlong, embat ...
Helmet of Fire: American Poetry in the 1920s 267 cause, the prose rails against the false values of a rootless, materialistic so ...
(^268) Edward Hirsch has a moral inflection) and her ideas about things grow out of the primary ground of her Objectivist aesthe ...
Helmet of Fire: American Poetry in the 1920s 269 spelling and syntax and played with capitalization, lineation, and stanzaic div ...
(^270) Edward Hirsch our resources a little against outside influences on our literature and particularly against those among us ...
Helmet of Fire: American Poetry in the 1920s 271 Frost’s well-known lyric “Stopping by Woods on a Snowy Evening,” in which the s ...
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