Modern American Poetry
(^132) Helen Hennessy Vendler Stevens’ simplicity of response to the mythological mother is replaced in the next canto (iv) by h ...
Douceurs, Tristesses 133 touches both the events and their poems: “There are no lines to speak. There is no play.” One could har ...
(^134) Helen Hennessy Vendler Human Arrangement Place-bound and time-bound in evening rain And bound by a sound which does not c ...
Douceurs, Tristesses 135 Except the lavishing of itself in change, As light changes yellow into gold and gold To its opal elemen ...
(^136) Helen Hennessy Vendler consign’d for once to colors,” as Whitman once said of a prairie sunset. It is up to the scholar t ...
Douceurs, Tristesses 137 When the leaves are dead, Does it take its place in the north and enfold itself, Goat-leaper, crystalle ...
(^138) Helen Hennessy Vendler possible gloss on The Auroras of Autumn,but they are a partial one: on the one hand the great expe ...
Douceurs, Tristesses 139 Or symbol of malice. That we partake thereof, Lie down like children in this holiness, As if, awake, we ...
(^140) Helen Hennessy Vendler The harridan self and ever-maladive fate Went crying their desolate syllables, before Their voice ...
Douceurs, Tristesses 141 Rightly it is said That man descends into the VALEof years. Yet have I thought that we might also speak ...
(^142) Helen Hennessy Vendler Or gaudy as tulips? ... As they climb the flights To the closes Overlooking whole seasons? Let us ...
143 One sign of a great poem is that it continues to grow in meaning. A new generation of readers can find in the poem their own ...
(^144) Robert Langbaum vegetation myths. Hugh Kenner (1959) is therefore retrograde in taking off from Pound’s later recollectio ...
New Modes of Characterization in The Waste Land 145 I grow old ... I grow old ... I shall wear the bottoms of my trousers rolled ...
(^146) Robert Langbaum But often, in the world’s most crowded streets, But often, in the din of strife, There rises an unspeakab ...
New Modes of Characterization in The Waste Land 147 Tarot cards, by which men have tried to foresee and manipulate destiny while ...
(^148) Robert Langbaum “You who were with me in the ships at Mylae! “That corpse you planted last year in your garden, “Has it b ...
New Modes of Characterization in The Waste Land 149 destinies of these legendary figures. In The Waste Land,however, the speaker ...
(^150) Robert Langbaum to-night. Yes, bad. Stay with me.’” We gather from the passage that the lady is rich, that her house is f ...
New Modes of Characterization in The Waste Land 151 Ferdinand Prince of Naples, so all the women are one woman, and the two sexe ...
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