Victorian Poetry

KATHY ALEXIS PSOMIADES presence of metaphors of gender and sexuality in Victorian critical works, the increasing association of ...

The critical fortunes of Victorian poetry experiences the ideal subject matter of poetry. But the full impact of the recovery of ...

KATHY ALEXIS PSOMIADES curiously, / The charm is broken utterly, / Draw near and fear not - This is I, / The Lady of Shalott." 7 ...

The critical fortunes of Victorian poetry the Early Poetry (Charlottesville, VA: University Press of Virginia, 1994), 74-95- 29 ...

3 E. WARWICK SLINN Experimental form in Victorian poetry In 1844, Elizabeth Barrett Browning wanted to write "a poem of a new cl ...

Experimental form in Victorian poetry an emerging social system (such as the nineteenth-century novel of manners). The consequen ...

E. WARWICK SLINN nor fixed. In an age of growing challenges to established knowledge, therefore, it is hardly surprising that po ...

Experimental form in Victorian poetry an "end descried," he feels only "gladness that some end might be" (17-18). He has heard f ...

E. WARWICK SLINN (69); "Who were the strugglers ... ?" (129). And he offers grotesque answers: "'tis a brute must walk / Pashing ...

Experimental form in Victorian poetry of an uncertain performativity, notably at the moment when her claimed identity has to be ...

E. WARWICK SLINN (the idealist emphases of Romantic aesthetics), whereas the latter suggests process and incompleteness (the gap ...

Experimental form in Victorian poetry such a view poetry provides access to a metaphysical absolute, one free from material tain ...

E. WARWICK SLINN sensuality, gives way to the obvious conventionality of an abstract pastoral: "silver'd branches of the glade" ...

Experimental form in Victorian poetry idealism must consequently surrender to the juxtaposition of irreconcilable opposites. The ...

E. WARWICK SLINN bracketed." 16 The result, he claims, is "generic indeterminacy." 17 By this term, Shaw identifies two tendenci ...

Experimental form in Victorian poetry of narration restructures the utterance into a "symptomatic" cultural form, turning it int ...

E. WARWICK SLINN elegiacs, that open and close each canto. These lyrics disperse the authority of Claude's central consciousness ...

Experimental form in Victorian poetry component parts - separate lyrics or sonnets, differing stanzas and various sections, scen ...

E. WARWICK SLINN possibilities for cultural critique, whether to expose cultural ideologies or indicate the material grounding o ...

Experimental form in Victorian poetry commitment to public and cosmic fate: "I embrace the purpose of God, and the doom assigned ...