Keyboard Master Class - Tom Brooks Music
C#m7,9,11(half tone clash) ...
F#m7,9,11(11 down in cluster) ...
Open Voicing - use 2nds & 4ths versus 3rds Voice higher Chord Tones down low for clusters Omit 3rd to focus on Poly-Chord C ...
A maj7,9 (with or without 3rd) ...
D maj7 (7-8 crash) ...
Keyboard Concept #1 From BASIC to BRILLIANT STEP #3: RHYTHMIC PATTERNS make it Groove... ...
“All Because of Jesus” Steve Fee ...
& b b 4 4 1 œœœœœœœœœœœœœœœœ w w muted el. gtr. synth pad 2 œœœœœœœœœœœœœœœœ w w 3 œœœœœœœœœœœœœœœœ w w 4 œœœœœœœœœœœœœœœœ w ...
Keyboard Concept #1 From BASIC to BRILLIANT STEP #4: COUNTER MELODY bridging the pauses in the melody The “CONVERSATION” ==> ...
! " " # $$$$ !"# " $ $$$$ %&% $$$$ !"# " $ $$$$ % %&% " " ! $$$$ !"# " $ $$$$ %&% $$$$ !"# " $ $$$$ %&% " " $$$$ ...
Keyboard Concept #1 From BASIC to BRILLIANT STEP #5: CHORD SUBSTITUTION (“Language of Music” Chapter 30) ==>more detail later ...
How can I make this Basic Chord Chart sound Brilliant? 5 STEPS: Chord Voicing Added Tones Rhythm Patterns that GROOVE Co ...
Here’s what I do... ...
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Keyboard Concept #2 ROCK PIANO How to lock with the Band and nail the Groove Rock Power Chords on Piano ...
“EVERLASTING GOD” Brenton Brown ...
& ? # # 4 4 4 4 . . . . . . . . Rhythm VS 2 VS 1 INTRO *1st time = Keys only *2nd time = BAND IN: *2nd time = BAND IN: simil ...
Build on Solid Ground: THE GROOVE Locking with Loops Practice with Click Track Know the “Traps” Anticipate- ...“read” the othe ...
& ? # # # # 4 4 4 4 . . . . . . . . Rhythm 1 ’ ’ ’ ’ D BÂ 7 INTRO =FULL DRIVING ROCK GROOVE= ***2 Bars of Drum build up>& ...
Step #1- “Groove is Everything” *Locking with the Band *The Right Tempo *Locking with Loops & Click ...
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