Chinese Poetry in Times of Mind, Mayhem and Money (Sinica Leidensia, 86)

102 chapter three 2001), a survey of (Chinese) scholarship on Chinese literature since The poetry chapter includes a section en ...

thanatography and the poetic voice 103 Poetic Life (2005).^13 Haizi is the second contemporary Chinese poet to have inspired com ...

104 chapter three Amplified by reverberations of “1989” ever since the massacre, the im- pact of Haizi’s suicide also shows in i ...

thanatography and the poetic voice 105 As measured against the impact of Haizi’s poetry during his lifetime, commentarial and co ...

106 chapter three Yi Sha has long taken a different view. Here is a passage from «Starve the Poets» (1990): the poets have eaten ...

thanatography and the poetic voice 107 on contemporaries like Wang Jiaxin—by Yi Sha, Qin Bazi and Xu Jiang, but also by Yu Jian, ...

108 chapter three curiosity and the desire to identify with a life lived and died to the full, all the more so in cultish quarte ...

thanatography and the poetic voice 109 great works of art require the destruction of the artist? Luo calls Haizi a Chinese poet ...

110 chapter three Mythification of Haizi is in evidence from the early 1990s on, in glo- rification of his death and representat ...

thanatography and the poetic voice 111 [Haizi’s fate] means a flying leap from poetic art to performance art. Through a careful ...

112 chapter three psychologizing. Wang depicts suicide as the inevitable consequence of “pure” poethood “witnessing truth” and h ...

thanatography and the poetic voice 113 sociological in orientation and primarily focus on images of Haizi’s poet-hood as part of ...

114 chapter three Biographies? The most significant, palpable example of Haizi’s thanatography is Liaoyuan’s 2001 monograph Leop ...

thanatography and the poetic voice 115 surmises that the issue is simply too important. Like Luo Yihe and others who hold that H ...

116 chapter three Haizi was a dazzling shooting star on contemporary China’s poetry scene. In his brief life, he kept a holy and ...

thanatography and the poetic voice 117 poetry and poethood, first remarks on contemporary poets’ inclination for “experiment” (ᅲ ...

118 chapter three Cui Weiping’s “In Memory of Truth” (ⳳ⧚ⱘ攴༴, 1992) ends on a thanatographical note, and the section “Split and R ...

thanatography and the poetic voice 119 “Afterword,” which occupies a central position among commentar- ies on Haizi, even if it ...

120 chapter three he felt there was someone speaking into his ear all the time, which made him unable to write. And to Haizi, be ...

thanatography and the poetic voice 121 Chao’s Critical Anthology of Chinese Explorative Poetry (Ё೑᥶㋶䆫䡈䌣䆡 ݌, 1989). Chen complete ...