The Art of photography

Kline.Franz, 149

Kodachrome. 42

Koudelka,Josefphotographby.

733,

quoted.

133

Kratochvil.Antonm.143.photograph

by,

743

Krause.George,photographby.

275

Landscapephotography.753. 785,

786.797,799,

coloremphasisin,

43-45,48-49.color,formand

shapeemphasized

in,48-49,

perspectivein,72-73,pictonalist

approachto, 1 77;

proportionin,68;

puristapproachto, 1 77;repetition

ofshapesin,35,suspended

time

in,116.124-125,textureandshape

emphasized

in,

50

Lartigue,Jacques-Henri,183,

photographby,

783

Lenseslong,22, 61 .789.and

perspective. 61.

perspective-

control.87.selectionof, 61 ,shape

affectedbyfocal

lengthof,

22,

telephoto.78.wide-angle.22, 61

63.64. 78

Lightdiffusionof,799,reflectionof.

198,wavelengthsof, 42

Lighting, 61 ,candlelight.87.creative

useof.13.14,75,17.

18.32-33,

48-49,55-56,66.74,95,734-735,

767,

766-167,

769,

180-181.795,

197-199,203-205.211,effectof

weatheron.787.

flash,747,744,

formrevealedby,26-27,38-41,48-

49,54,muted,724,

sidelighting.

24-25,27,762,textureemphasized

by.24-25,36.37. 50,762,

timeof

dayaffecting.12, 13,14,75, 17,

35,44-45.

48-49

Linedominanceestablishedby,

64-

65.perspectiveestablishedby,

72

Longlens,22,61, 789

LosAngeles,photographof,

96-97

Love,assubjectforsix

photographers,79.

102-112

Lyons.Joan,photographby. 777

M

MacLeay.Scott,photographby,

276

McMillan,Jerry,photographby, 762

Magubane,Peter,108;photograph

by,108-109,quoted. 108

Mannequin,assubjectforsix

photographers.77.

79-80.87-82.

83,84-88,89,90-97

Mark,MaryEllenphotographby,

732-733,quoted, 133

Meaningaselementofphotographic

analysis.19-20,21,22,60,62,

objective,20, 21 ,78,subjective,

18,

19,20,21,78-80,87-772.748.

149. 150

Meatyard,RalphEugene.

photographby. 277

MeNobodyKnows,The(musical).

photographof, 200

"Menofthe20thCentury(Sander),

720

Metzker,RayK

,

photographby, 757

Metzner.Sheila.94.

photograph

by.

95,quoted, 94

Michals,Duane,90.photographsby.

90-91.208,quoted, 90

Mill,Gjon.photographby, 200

Milito.Sebastian.22, 30,

photographsby,23-29,37,quoted

30,studiesofvisualcharacteristics

by,

23-29

Moholy-Nagy,Laszlo, 148

Montage, 60

Moore,David,photographby, 788

Morgan,

Barbara,

39;

photographby,

39

Motionblurringdue

to,116.743,

784,207,ofcamera,intentional,

744,

200,

frozen,743, 783,793;

lackof,inphotography, 7 75,

116-

117,778-725,783,276

Mudford,Grant,96.photographby,

97,quoted, 96

Multipleexposures,759,208

Multiple-imagephotographs,706-

707,747,150,151-159. 171

Mythological

themes,in19thCentury

photography, 177

N

Nagatani,Patrick,photographby.

757

Nesbitt,Esta.photographby,766-

767

New

YorkCity,photographof,94-95

19thCenturyphotography,78,160,

pictonalistapproachto, 177

Noble,Richard,83,photographby,

82.quoted, 83

Nomachi,Kazuyoshi,photographby,

48-49

Nudes.32.39,106-107. 756

Objectivityofphotographer,20, 21

,

78

Ockenga.Starr,106;photographs

by,706-707,quoted, 106

Officecopier,useascamera,166,

767-7 72

Okuhara,Tetsuphotographby,756.

quoted. 156

Olson,Lennart.photographby, 785

Overexposure, 778

Paintingcombinedwith

photography.149.753,

photographyinimitationof, 1 77,

272

Panning, 200

Paper,printing, 60

Parada,Esther,photographby, 758

Paris,photographs

of.98-99, 727

Parker,Bart,photographsby, 209

Patterncreativeuseof,

34-35,

5

7 -53,

55, 56,59,60,86-87,733,757,

782,784,799,use

withcolorand

shape,53,usewithcolor,formand

texture,52, 56,use

withshape,55,

usewithtexture,57,vertical, 799

Penn,Irving,

photograph

by,

40

Perron,Robert,photographby. 56

Personality,revealedin

portrait

photography.106-107.191,796-

197.203,204,210.213

Perspective,27.60, 61 ,72,

creative

useof,72-73,206-207.established

bycolor,

72-73,establishedbyline.

72;inlandscapephotography.

72-

73

Perspective-controllens. 87

Pfahl.John,photographby,

786

Photogram, 61

Photograph,analysisof.

12-21.

22,

23-29.48, 60, 61 , 176 Seealso

Design

Photojournalism, 126

Pictonalistschool,177,272

PlacedeI'Europe,Paris,photograph

Of, 727

Plowden,David,92;photographby,

93.quoted, 92

Polarizingfilter.12,48-49

Portraitphotographycomposite,

758,

decisivemomentin,729.732-

733,personalityrevealedin,

706-

707.

797,796-797,203,204,270,

273,puristapproachto,177;

suspendedtimein,775,116-117.

720-723

Potassiumbichromate, 94

Powdered-mktoners,incolorcopy

art.

166,

169

Prague,photographof,

214-215

Prather,GaryL

,

photographby, 787

Print,contact,89, 159

Printingpaper, 60

PrintmakingFressonQuadnchromie

colorprocess.94-95,high-

contrast,33. 182

Proportion,62, 63, 69.

1 76;creative

useof,68-69,180.inlandscape

photography, 68

Puristschool, 177

Randommomentsintime,116,117,

1

76,

photographssuggesting. 1 36.

737-744,202

Rangefmdercamera, 94

Ray.Man. 148

Ray-Jones.Tony.15;photographby,

75,workingmethodof,

13-14,16-

19

Realityinphotographyaltered.75,

16 17,176.778-787. 792-793.798,

208,suggested, 7 75.116. 7

78-

744,150.176,

177

Reflectionoflight, 198

Reflections,useinphotography,12-

13,74.16, 17, 18

Repetition,

34,

70,ofshape,34-35,

53,70-77,756.788-789Seealso

Rhythm

Responseofphotographer,to

subject

matter,19-21,78-80,87-

772,149, 190,211, 212, 215,

"The

City"as

subject,79,92.93-707,

"Love"assubject,79,

102-112.

"Mannequin"assub|ect,77.79-80,

87-82,83,84-88,89,90-97

Responseofviewer,todesign, 61 -63,

67,78. 149

Reversalcolorfilm. 63

Rhythm.34.62.70. 1 76,creativeuse

of.34-35,70-77,790,194-195;in

repetitionofshape,34-35,

70-71.

SeealsoRepetition

Romanticisminphotography, 1 77,

272

Rubin.Gail,photographby, 44

Sander,August, 120

Sandwiching,

86-87

Sartre,Jean-Paul, 787

Schner.Jackphotographby,

734-

735,

quoted, 134

Sculpture,inphotography,160,

767-

765

Seeley,GeorgeH,

photograph

by.

212

Selectionofsubjectmatter,

12-13,

74-75,16-21.22,30,48

Semak,Michael:

photographby,728,

quoted, 128

Shadow, 61 ;creativeuse

of,48-49,

54-55,64,779-787,787,798.204-

205

Shape,19,22,176,creativeuseof.

22-23,30,37-33,

48-57,

53,55,

737,733,748. 775,176,787, 782

795.203;defined,22;

lensfocal

lengthaffecting.22,repetitionof,

34-35,53,70-77,756,

788-789;

studiesof,23,usewithcolorand

form.48-49,usewithcolorand

pattern,53,usewithpattern,55,

usewithtexture. 50

Sheridan,SomaLandy,photograph

by, 769

Shutterspeed, 61 ,slow,84-85, 200

Sidelighting.24-25,27, 162

Siskind,

Aaron,

38,

148-149,

photographsby, 38,148,quoted,

18,38.148,

149

Sizeasdesignelement, 61 ,62, 67,

69,

72

Skoglund,Sandy,photographby,

765

Slow-speedfilm,36, 183

Smith,

StanleyR

.

photographby,

36

Smith.W

Eugenephotographby.

273,quoted, 19

Speed,

filmslow,36, 183

Spuns,Egons.photographby.

793

Steichen,Edward,photographby,

796

Steinberg,Richard,89,photograph

by,88.

quoted, 89

Steinert,Otto,photographby. 784

Sternfeld.

Joel,photographby,724-

725

Stock,

Dennis,photographby, 204

Stoumen.Lou.104,photographby,

705,quoted,

104

Strand,Paul,116,117;photographs

by,55,

7

75,

quoted, 117

Strauss,Richard, 796

Streetman,

Evon,photographby, 753

Subjectmatter"TheCity"as,79,92,

93-707,

"Love"

as.

79,702-772;

"Mannequin"as,77.79-80,

87-82,

83.

84-88.89,90-97,organization

of,60-63,64-74,photographer's

responseto,

19-21,78-80.87-772,