Differentials: Poetry, Poetics, Pedagogy

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  1. Nate Dorward, “On Raworth’s Sonnets,” Chicago Review 47, no. 1 (spring
    2001): 17–35, see 18, 21.

  2. Tom Raworth, Collected Poems (Manchester, Eng.: Carcanet Press, 2003), 37.

  3. Philip Larkin, “Home Is So Sad” (1958), Collected Poems, ed. Anthony Thwaite
    (New York: Farrar Straus, 1989), 119.

  4. Microsoft Word Dictionary, Software for Microsoft Word. MAC OS9.2.

  5. Ace was originally published by Trigram Press, London, in 1973, with illustra-
    tions by Barry Hall. It is now available from Edge Books, Washington, D.C. (2001).
    Ace is reproduced in Tom Raworth, Collected Poems, 201–22.

  6. See Marcel Duchamp, Notes, bilingual edition, presented and trans. Paul Ma-
    tisse (Paris: Musée National d’Art Moderne, Centre Georges Pompidou, 1980); rpt.
    Boston: G. K. Hall, 1983, unpaginated, but each example is numbered.

  7. See Marjorie Perloff, Twenty-¤rst-Century Modernism: The New Poetics (Ox-
    ford, UK: Blackwell, 2002), 114–16.

  8. Gilles Deleuze, Difference and Repetition, trans. Paul Patton (1968; New York:
    Columbia University Press, 1994), xx–xxi. My emphasis.

  9. Ludwig Wittgenstein, Philosophical Investigations, 3rd edition, trans. G. E. M.
    Anscombe (New York: Macmillan, 1958). Where applicable, numbers are those of
    propositions, not pages.

  10. Jennifer Ashton, “Modernism’s ‘New’ Literalism” (review essay), Modernism/
    Modernity 10, no. 2 (April 2003): 387–88, 384. Along with the Language poets, my book
    Twenty-¤rst-Century Modernism is one of Ashton’s targets, indeed the occasion for
    her polemic.

  11. Donald Allen and George F. Butterick, eds., The Postmoderns: The New Ameri-
    can Poetry Revised (New York: Grove Press, 1982). By 1982 Language poetry was al-
    ready on the scene, but The Postmoderns does not yet recognize their presence, focus-
    ing on the poets of Allen’s famous New American Poetry, 1945–1960 (1960), with the
    addition of such of their heirs as Anne Waldman, Joanne Kyger, and Ed Sanders.

  12. Jacques Roubaud, “Poésie et pensée: quelques remarques,” Poésie 92 (April
    2002): 49.

  13. Oulipo is the acronym for the Ouvroir de littérature potentielle, the Work-
    shop for Potential Literature, founded in Paris in 1960.

  14. Susan Howe, The Midnight (New York: New Directions, 2003), 49.


Chapter 1


  1. Robert Weisbuch, “Six Proposals to Revive the Humanities,” Chronicle of
    Higher Education, 26 March 1999, B4–5.

  2. In a follow-up article in the Chronicle of Higher Education, Weisbuch outlines
    more fully his plan for “aggressively promulgating the value of what we do in [the
    humanities].” The Woodrow Wilson National Fellowship Foundation’s new project,
    “Unleashing the Humanities: The Doctorate Beyond the Academy,” with a budget of
    about one hundred thousand dollars, will award grants to academic departments that
    “encourage students to interact with the world as part of their graduate training.” A


270 Notes to Pages xx–2

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