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daniel karlin IV •••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••• ...
from dark defile to gethsemane themselves and their clothes; it is connected, not literally but metaphorically, with thecomme ...
daniel karlin You’ve made the British taxpayer rebuild your country-seat— I’veknown some pet battalions charge a dam’ sight l ...
from dark defile to gethsemane of the ‘crazed and driven foe’, and the vengeful widow’s pleasure at manufacturing artillerysh ...
daniel karlin The ships have a thousand eyes Tomark where we come... Butthemirthofaseaportdies When our blow gets home.^36 I ...
from dark defile to gethsemane But all the time she talked to me Iprayed my cup might pass. The officer sat on the chair, The ...
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part ii ••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••• ...
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santanu das an hour’. He goes on to elaborate: ‘Catalogue? Photograph? Can you photograph thecrimson-hot iron as it cools fro ...
war poetry and the realm of the senses mud. The mud there wasn’t liquid, it wasn’t porridge, it was a curious kind of sucking ...
santanu das suggesting the shift from the visual to the tactile. After three weeks at the Front, Owenwrites to his mother, ‘I ...
war poetry and the realm of the senses Swallowed his sense of sight; he stopped and swore Becausea sagging wire had caught hi ...
santanu das How is the sense experience of the trenches translated into the sensuousness of poeticform—depending on available ...
war poetry and the realm of the senses celebrated cult of ‘pity’ and touches us on that fragile spot where distinctions blur. ...
santanu das gets lost in the cascade of sound as the rhymes, assonance, and labials set our spirits, likethe soldiers in ‘Apo ...
war poetry and the realm of the senses done. Only there were no anaesthetics—no time—no money—no staff for that. So after tha ...
santanu das of indigestion makes him fantasize that he is being strangled by the ‘tightening handof Pain’ and pricked by ‘Tor ...
war poetry and the realm of the senses ‘The Sentry’, where vision, through proximity, assumes a threatening physicality: ‘eye ...
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