in Macondo, and he left the
daguerreotype laboratory to
the fantasies of José Arcadio
Buendía who had resolved to
use it to obtain scientific
proof of the existence of God.
Through a complicated
process of superimposed
exposures taken in different
parts of the house, he was
sure that sooner or later he
would get a daguerreotype of
God, if He existed, or put an
end once and for all to the
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