Body Language

(WallPaper) #1
Say that you think the person sitting across from you is attractive, but
you’d feel a fool coming out and saying so. The other person may feel a
bit threatened or uncomfortable if you expressed your feelings out loud.
So, what to do? You establish eye contact and hold it a little longer than
usual, you give a little smile, and if you’re a woman you may drop your
chin a fraction and look up from under your eyebrows. If you’re a man you
probably tilt your head back. Not a word’s been spoken, yet a frisson is in
the air.

You may want to send a message telling someone that his behaviour isn’t
acceptable. A lowered brow, tightened lips, and a slight shake of the head
are usually enough to make your point.

A disapproving look may not always be enough. William was a 4-year-old
pageboy at his uncle’s wedding. William’s mother was seated near enough
to her son to catch his eye, but not near enough to grab his hand. During
the ceremony William became fractious and began playing with the other
young attendants, in spite of his mother’s attempts to control his behaviour
with her facial signals. No matter how much she frowned, put her index
finger to her pursed lips while shaking her head in a definite, ‘No’ gesture,
William took no notice. Finally, he turned his head sharply in the direction
of his mother, frowned for all he was worth, and made a face at her – his
little way of saying, ‘I know what you want and I’m going to do this my way!’

The next time you disagree with your boss, partner, or associate and believe
that it would be inappropriate to say so out loud, you can engage the other
person in a bit of ocular one-upmanship. Hold the person’s gaze slightly
longer than you would normally, with your lips tightly closed. If your timing’s
right your expression states your position without saying a word.

62 Part II: Starting at the Top


The engine behind the expression


The facial nerve (cranial nerve VII) that controls
your facial muscles is like a tree. The tap root is
located in the brain, and three branches extend
from it. The first controls the tearing and sali-
vating process. The second branch is responsi-
ble for transmitting taste messages. The third

branch sends facial expressions such as the
smile, frown, and squint. Because human facial
skin is flexible and responds quickly to brain
impulses most people can express themselves
easily without speaking a word.
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