The ancient and medieval architecture of India: a study of Indo-Aryan civilisation
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THE ORIGIN OF GOTHIC ART 'j^ thenurseries ofGothicart, bringing to the West the masonic secretsoftheEast,thetraditionsandtheinsp ...
CHAPTER VII THE VIHARA, OR MONASTERY—THE GAUTAMI-PUTRA MONAS- TERY, NASIK — MONASTERY AT BEDSA — MODELS OF MONASTERIES AT MAMALL ...
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ANCIENT INDIAN MONASTERIES 79 Here it is only the usual collection of simple shrines and primitivehermits' hutswhich had existed ...
8o ANCIENT INDIAN MONASTERIES Prince Siddhartha of Kapilavastu, andtothat ofthe spiritual Lord, the MonkofBodh-Gaya. A fixed chh ...
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THE GAUTAMI-PUTRA MONASTERY 8 1 Ndgarjuna. The simple ritualof the Hinayina school only demanded a stone bench which ran round t ...
82 THE GAUTAMi-PUTRA MONASTERY nectar-jarupontheirwings. Thehorse, guardingthenorthern quarter,was the noble steed upon which th ...
MONASTERY AT BEDSA 83 ofHindu sculptureis "writtenin decay." Noneofthesculp- ture atKirl^and verylittlethatbelongsto the Mauryan ...
s^ PYRAMIDAL MONASTERIES TheGandhara monasteries,described byM.Foucher,were generallyrowsofcells ranged in asquare, the centreof ...
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PYRAMIDAL MONASTERIES 85 were allowed a lower class of servants to wait upon them. Proficiency infoursections entitled the monks ...
86 THE DHARMARAJA RATH All thosewhich the Chinese pilgrim described, and also those which Kanishka builtin theGandharacountry, a ...
GARGOYLES 87 (or,halloftheSangha, if the building was occupiedbyBuddh- ists), surrounded on all sides byaverandah roofed with th ...
88 THE DHARMARAJA RATH Inthe original,whereveritmight havebeen,itisprobable thattheground-floorofthemonastery,here simulatedinsc ...
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