74906.pdf
The Fashion Business would the flag, these supreme industries,’ he declared, listing specifically French architecture, decorativ ...
The Hilfiger Factor and the Flexible Commercial World of Couture of the New Look. The processes of elite social dressing had how ...
The Fashion Business London couture blossomed briefly in the 1950s period but simply did not, could not, and would not cope with ...
The Hilfiger Factor and the Flexible Commercial World of Couture Commercial Competition By the 1980s Paris was, however, being s ...
The Fashion Business flourishes on the international popularity of the American way of dressing – jeans, trainers, leisure jacke ...
The Hilfiger Factor and the Flexible Commercial World of Couture joint venture and buying agency agreements firmly established i ...
The Fashion Business Figure 8.4.Young shoppers wearing logoed leisurewear, Churchill Square Shopping Precinct, Brighton, UK, Jul ...
The Hilfiger Factor and the Flexible Commercial World of Couture US success when rap stars, such as Snoop Doggy Dogg wore his cl ...
The Fashion Business greatest inspiration. Resourcefulness is the key to value and excellence. In making quality a priority in o ...
The Hilfiger Factor and the Flexible Commercial World of Couture consultant,^31 Hilfiger commented that his new line was created ...
The Fashion Business logos of each company. Stuart Ewen, a sociologist, describes the couture world as ‘beyond the real’, believ ...
The Hilfiger Factor and the Flexible Commercial World of Couture that the likes of Hilfiger could never possibly achieve. Elite ...
The Fashion Business Figure 8.6.Elite globalized fashion magazines, from Japan, Canada, Poland, Singapore and the UK, 1999–2000. ...
The Hilfiger Factor and the Flexible Commercial World of Couture of the reverse process. He has not been able to upmarket his mi ...
The Fashion Business in Singapore, Sydney, Warsaw, Rio, Abu Dhabi, Seoul, Tokyo, Nicosia, Johannesburg, or Moscow. Adidas, Nike ...
John Galliano: Modernity and Spectacle 9 John Galliano: Modernity and Spectacle Caroline Evans* This chapter starts by contrasti ...
The Fashion Business My own purpose in this chapter, in juxtaposing images over a hundred years apart, is neither to pinpoint su ...
John Galliano: Modernity and Spectacle Figure 9.1.John Galliano for Christian Dior, Autumn-Winter 1998–9 couture collection, sho ...
The Fashion Business The name ‘Diorient Express’ stencilled onto the side of the train aptly suggested both Galliano’s orientali ...
John Galliano: Modernity and Spectacle To his mixes of cultures and history were added a significantly different ingredient, the ...
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