57 .Heroides,iv;Metamorphoses,xv, 500 – 03.
58. Heroides,iv, 57 – 58 ;Metamorphoses,viii, 131 – 37 ,ix, 735 – 40. For a suggestive
commentary on the transgressivefictional potentialities of thisfigure in the
Middle Ages, see Renate Blumenfeld-Kosinski,“The Scandal of Pasiphae:
Narration and Interpretation in theOvide Moralisé,”Modern Philology 93
( 1996 ), 307 – 26.
59 .Heroides,xiii.
60. Heroides,vi,xvii, 193.
61. Heroides,xx,xxi.
62. Goldberg,Voice Terminal Echo, 70. SeeMetamorphoses,vi, 424 – 674.
63. John Norton-Smith,“The Origins of‘Skeltonics,’”Essays in Criticism 23
( 1973 ), 57 – 62 ( 62 ).
64. Elizabeth Fowler,Literary Character: The Human Figure in Early English
Writing(Ithaca, 2003 ), 245 – 73.
65. Halpern,Poetics of Primitive Accumulation, 126.
66. Greene,“Calling Colin Clout,” 234.
67. Elizabeth Scala,Absent Narratives: Manuscript Textuality and Literary Structure
in Late Medieval England(New York, 2002 ), 71 – 98.
conclusion
- Puttenham,Arte of English Poesie, 60.
- Greg Walker,Writing under Tyranny: English Literature and the Henrician
Reformation(Oxford, 2005 ), 426. - Meyer-Lee,Poets and Power, 226.
- C. Burrow,“Tudor Sanctuaries,”review of Fox,Politics and Literature in the
Reigns of Henry VII and Henry VIII, Essays in Criticism 41 ( 1991 ), 51 – 61. - Meyer-Lee,Poets and Power, 226.
- Teskey,Allegory and Violence, 19 ; and see Walter Benjamin,The Origin of
German Tragic Drama, trans. John Osborne (London, 1998 ), 159 – 235. - For recent commentary, see Griffiths,John Skelton, 130 – 35 , and Vincent
Gillespie,“Justification by Faith: Skelton’sReplycacion,”The Long Fifteenth
Century: Essays for Douglas Gray, ed. Helen Cooper and Sally Mapstone
(Oxford, 1997 ), 273 – 312. - R. James Goldstein,“Normative Heterosexuality in History and Theory: The
Case of Sir David Lindsay of the Mount,”Becoming Male in the Middle Ages, ed.
Jeffrey Jerome Cohen and Bonnie Wheeler (New York, 2000 ), 349 – 65 ( 355 ). - Roderick J. Lyall,Alexander Montgomerie: Poetry, Politics and Cultural Change in
Jacobean Scotland(Tempe, 2005 ), 336 – 49 ;see,too,Dunnigan,Eros and Poetry.
216 Notes to Pages 164 – 73