Index
Ogunmola, Kola,
Ogunyemi, Chikwenye, xvii
Ogunyemi, Wale,
Ojaide, Tanure, xii, xvii
Okai, Atukwei, xvii
Okigbo, Chris, xv, xxiii,,,(“Path of
Thunder”)
Okosun, Sunny,
Okoye, Mokwugo,
Okpewho, Isidore,–,,
Okri, Ben,
Olaniyan, Tejumola, xi,
Omotoso, Kole, xii, xvii,,
Onabrakpeya, Bruce,
O’Neill, Eugene,,
Oni, Ola,
Onoge, Omafume,
Onwueme, Tess, xvii,
Orwell, George,(Animal Farm)
Osofisan, Femi, xv, xxiii,,,,,,,
,,,
Osundare, Niyi, xvii,,,,,,
Oswald, Laura,
Ouloguem, Yambo,,(Bound to Violence)
Oyelana, Tunji,
Palmer, Eustace,
Pecheux, Michel,(Language, Semantics and
Ideology)
Peters, Jonathan, xi
Peters, Shina,
Phillips, Caryl,
postmodernist discourse of race,
poststructuralism,,
Pound, Ezra,,(The Cantos)
Quayson, Ato,,,
Radin, Paul,
Ransome-Kuti, Beko,
Ransome-Kuti, Funmilayo,
Rive, Richard,
Roscoe, Adrian,
Rothberg, Albert,
Rotimi, Ola,
Royal Court Theatre,
Ruitenbeck,
Saadawi, Nawal el-, xvii,
Saro-Wiwa, Ken,(Sozaboy);,,,
,
Sartre, Jean-Paul,,(“Orph ́ee Noir”)
Sekoni, Ropo,
Sekyi, Kobina,
Sembene, Ousmane,,,,(God’s Bits of
Wood);
Senghor, Leopold Sedar, xvi,,(Chaka)
Severac, Alain,
Shagari, Shehu,,
Shaka,–
Shakespeare, William,,,(Anthony and
Cleopatra);(Hamlet);,(Midsummer
Night’s Dream);–(The Tempest)
Solarin, Tai,
Solanke, Jimi,
Solzhenitsyn, Aleksander,(The Gulag
Archipelago)
Sorel, Georges,(Reflections on Violence)
Sowande, Bode,,
Sowemimo, Segun,
Sowemimo, Sobo,
Wole Soyinka,
and aesthetic radicalism in developing
world,–
African influences in dramatic works
of,–
animism, thought in works of,–
avantgardism of, xviii, xxii,
and the Bakhtinian grotesque realism,
“complexity” and “obscurity” in poetry
of,,
the “Coriolanus complex,”,
cosmopolitanism in works of,
and the dilemma of pure anteriority,,
dogmatic application of Marxism, xiv
and the duality of creation and
destruction,–,
and the Eurocentric discourse on Africa,
exile, xii–xiii,
first phase of critical thought,,–
and gender,,–
and the “great man” theory of history and
politics, xviii
heroic mythos in prose works of,
and the “literature of rediscovery,”,
the “Kongi” appellation,
and the metanarratives of
emancipation,–
nativism in works of,
and the national-masculine tradition, xv,
xvii, xix, xx,
nature objectified in works of,–
on N ́egritude cult of blackness,–
Nobel prize,,,,
on numinous being and consciousness,
–
and Ogun archetype,–,
and the Orisanla-Atunda myth,
overvalorization of will in works of,–