environmental portraits
Connecting with new people
The shift from receptive observer to active participant can sometimes be awkward and diffi cult for
both the potential subject and the photographer. These feelings of awkwardness, embarrassment
or even hostility may arise out of the subject’s confusion or misinterpretation over the intent or
motive behind the photographer’s actions. The photographer’s awkwardness or reticence to
connect often comes from the fear of rejection.
The initial connection with the subject is crucial for a successful environmental portrait. If the
photographer is taking images at an event or activity the photographer must be very aware when
someone within the frame makes eye contact with the camera. At this decisive moment the
posture and facial expression usually remains unchanged from where the subject’s attention was
previously engaged. The photographer should be able to capture a single frame at this moment
before lowering the camera. There is no time for re-focusing, re-framing and adjusting exposure.
The camera should be lowered and a friendly and open response offered by the photographer. If
the photographer continues to observe the subject after having been noticed the subject’s sense
of privacy can be invaded and the photographer’s chance for an amicable contact can be lost.
Most people will gladly cooperate if a friendly connection has fi rst been established.
Stephen Rooke