'187
SpringsFineArtsCenter,1938-1945;SouthernMethodistUniversity,1945-1948;and
hasbeenguestinstructorelsewhere.Since 1945 Dozierhasalsobeenonthefaculty
oftheDallasMuseumofFineArtsSchool.
Amonginstitutionswhichhaveexamplesofhisworkare the Metropolitan
MuseumofArtandWhitneyMuseumofAmericanArtinNewYork;Newark(New
Jersey)MuseumAssociation;ColoradoSpringsFineArtsCenter;Denver(Colorado)
ArtMuseum;DallasMuseumofFineArts;FortWorth(Texas)ArtAssociation;
MuseumofFineArtsofHouston,Texas;WitteMemorialMuseum,SanAntonio,
Texas;SouthernMethodistUniversity,Dallas,Texas;theUniversityofNebraska;
andMontanaStateCollege,Bozeman,Montana.HelivesinDallas,Texas.DUNCAN,FrankDavenport.Jr.,ThroughtheWindow, 30 x40.
Illustration—Plate 47
FrankDuncanwasborninChicago,Illinois,in1915.Whenhewasfouryears
oldhisresidencewaschangedtoNewRochelle,NewYork.In 1941 hewasgradu-
atedfromtheSchooloftheFineArtsatYaleUniversityandservedintheArmy
from 1941 to1945.HebecameawarartistandreceivedaGuggenheimFellowship
in 1945 astheresultofhispaintingsoftheItaliancampaign.TheGuggenheimFel-
lowshipwasawardedhimagainin1946,andin 1951 hewonaLouisComfortTiffany
Fellowship.AttheCriticsShowofthewinterof1946-1947hewasawardedFirst
Prize,andachievedHonorableMentionattheCarnegieInternationalExhibitionof
Paintingsin1950.HelivesinNewYorkCity.Afewofhisremarksaboutpainting
wereincludedinthe catalogueoftheUniversityof IllinoisExhibitionofCon-
temporaryAmericanPaintingin1951.
DURFEE,Hazard,SeascapeNo.II,l8Vix36. Illustration—Plate 61
"SeascapeIIisrelatedtoimpressionismbecauseofitsconcernwithatmosphere
andlight.ButitisnotarandomHashofnature.Myrathersubconsciouspurposein
paintingistorevealmanydifferentlevelsofawarenessofaplaceinthesenseofits
structure,rhythms,atmosphereandmood."
DurfeewasborninTiverton,RhodeIsland,in1915.HestudiedatYaleUniver-
sity'sSchooloftheFineArtsandwasawardedaWinchesterTravelingFellowshipto
Mexico.HispaintingshavebeenpurchasedbytheNationalAcademyofArtsand
Letters,InternationalBusinessMachinesCorporation,andtheContainerCorporation
ofAmerica.HelivesinNewYorkCity.
EGRI,Ted,TheBicycleRiders, 28 x41. Illustration—Plate 74
"Ibelievetheartistmustroothimselfinonespecificenvironmentinorderthat
hemaygetaroundedunderstandingofthepeople,cultureandphysicalcharacteristics
ofit.Throughthisthoroughintegrationinoneplacehecanbetterachievedepthof
understandingandsensitivityinhispainting—eitherhisownenvironmentorother
peopleandotherenvironmentswheneverhemaycomeacrossthem.
"Manyartistshaveexpressedtheirfeelingsofman'sisolationandthechaosin
theworld.Eventhoughthisindicatestheirawarenessoftheworldaroundthem,it
alsoindicatesthattheyhavenotidentifiedthemselveswiththatworld.Theyfeel
isolated. Ibelievetheartistmustidentify himselfwithsomevitalforce, either