I 14
INDEX
Color photography (continued)
France, 549
Herschel, Sir John Frederick William, 655
Jennings, William Nicholson, 774
Joly, John, 780, 781
Krone, Hermann, 808
Lippmann, Gabriel Jonas, inventor of,
862–863
Lippmann process, 808
Maxwell, James Clerk, 906–907
Monpillard, Fernand, 936
Neuhauss, Richard, 991
Niépce de Saint-Victor, Claude Félix Abel,
1002
patents, 449
photochrom process, 1074
Plumbe, John Jr., 1138
projectors, 1177
Ramon y Cajal, Santiago, 1183
Ruskin, John, 1224, 1225
Saille-Kent, William, 1246
Steichen, Edward, 1337
Veress, Ferenc, 1443
Vidal, Léon, 1448–1449
Vogel, Hermann Wilhelm, 1455, 1456
von Hüebl, Baron Arthur Freiherr, 719
Color screen processes, color therapy, 319
Color separation processes, color therapy, 319
Color stereoscopy, Belloc, Joseph Auguste,
146
Color theory
1800-1860, 315–318
1860-1910, 315–318
Chevreul, Michel-Eugène, 290
Herschel, Sir John Frederick William,
315–316
Joly, John, 319–320
Lippmann, Gabriel Jonas, 862
Lumière, Auguste, 320–321
Lumière, Louis, 320–321
von Helmholtz, Hermann Ludwig
Ferdinand, 647
Color therapy, see also Hand coloring
Agfacolor, 321
Autochrome, 321
Becker, William, 316–317
Becquerel, Edmond, 316–317
chromographoscopes, 319
color screen processes, 319
color separation processes, 319
Cros, Charles, 319
daguerreotypes, 316–317
du Hauron, Louis Ducos, 319
Filmcolor, 321
Herschel, Sir John Frederick William, 316
Hill, Reverend Levi L., 316–317
Hurlock, John, 317
interference process, 320
Ives, Frederick, 319
Kodachrome, 321
Kromscops, 319
Lippmann, Gabriel Jonas, 320
Lippmann process, 320
Lumière Co., 320–321
Maxwell, James Clerk, 318–319, 323
Nié de Saint-Victor, Claude Félix Abel, 317
Niépce, Joseph Nicéphore, 316
panchromatic emulsions, 319
Poitevin, Alphonse Louis, 317
prehistory of color photography, 316
processes (positive), 318
Scheele, Carl Wilhelm, 316
Seebeck, Johann, 316
Vogel, Hermann Wilhelm, 319
Columbia World Fair in Chicago, 54
Combination prints, 695, 960–962
art photography, 75
cloud photography, 1271
collodion wet plate, 960
confl icting expectations, 77
defi ned, 960
Le Gray, Gustave, 835
pictorialism, 1130
Rejlander, Oscar Gustav, 1187–1188
Robinson, Henry Peach, 75–76, 1203
sky photography, 1271
truth, 77
Comerio, Luca, 757
Commercial manufacturers, photographic
collections, 68–69
Commission des Monuments Historiques
lithography, 843–844
Mestral, Auguste, 921–922
Mission Héliographique, 838, 843–844,
921–922, 933–935
Comparison photometer, 5
Compass, 1069–1070
Composition, 324–328, 327
air of reality, 325
best practice of Victorian painting, 325
creation of meaning, 324–325, 328
Degas, Edgar, 326–328
hand cameras, 328
importance in creation of meaning, 325
intended meanings, 326
projected reality, 326
Renaissance, 325, 326, 328
Talbot, William Henry Fox, 324–325, 326,
328
Compte, Louis, 205
Comptes rendus hebdomadaires des séances de
l’Académie des sciences, 328–329
daguerreotypes, 328–329
scientifi c communication, 328–329
Concealed vest cameras, 1349
Conolly, John, 415–417
Conservation, 329–333
albumen prints, 330
alternative reality, 331
Australian Institute for Conservation of
Cultural Materials, 332
chemistry of early materials, 330
contemporary photographers reviving 19th
century processes, 331
development of new tools, 329
directories, 331
exhibitions, 332
fading of prints, 330
goals, 331–332
ICOM committee for conservation, 332
institutions, 332–333
photographic journals, 329–330
photographic societies, 330
photography collections, 331–332
PHOTON, 332
preventive conservation strategies, 329
primary issues, 330–331
principles of archival processing, 329
scientists, 330
widening of access to early photographs,
331
Conservation campaigns, 42
Constable, John, 673–674
Constable, William, 333
Constant, Eugène, 334
early albumen experiments, 334
Rome, 334
Constantinople, Robertson, James, 1201–1202Constantinou, Dimitrios, 334–335
archaeological photography, 335
Greece, 335
Construction photography, see also
Engineering photography; Industrial
photography
Ceylon, 1270
documentary photography, 426
Durandelle, Louis-Emile, 454–455
Fowke, Francis, 543
Gardner, Alexander, 570–572
Jennings, William Nicholson, 773–774
Loecherer, Alois, 869
Paris, 454–455
Skeen, William Louis Henry, 1270
Terris, Adolphe, 1382
Winter, Charles David, 1501
Consumer capitalism, 669
Contact papers, bromide print, 219
Contact printing, 1172–1174
characterized, 335
daylight, 335
pre-dating photography, 335
printing frames, 335–337
Continuous tone photographs, 556–557
Contrived narrative tableaux, 642
Converging verticals, 1063
Cook, George S., 861
Civil War, 1468
Cooper, J.T., 1092
Copeland and Day, 389–390
Copying frame, 1173
Copyright, 337–338, 341, 342, 1102, 1243–
1244
America, 337–338
Austria, 1286
Berne Convention, 338
celebrity photography, 282–283
Europe, 338
France, 67, 338
Germany, 1296
Great Britain, 67, 337–338
Fine Arts Copyright Act, 337
Hering, Henry, 652
The Library of Congress, 855
photographic retailing, 1094
United States, 1429
Cornelius, Robert, 338–340
biography, 340
daguerreotypes
atypical heavy brass frames, 339
pioneer daguerreotypist, 339–340
set earliest standard for American
portraits, 339
portraits, 339–340
Corot, Jean-Baptiste Camille, 340
cliché-verre, 340
Cosmes de Cossío, Antonio L., 340–341
fi rst narrative photographic reportage, 341
Mexican War, 340
Spain, 341
Costa Rica, 284
Costs, 466
1840s, 466–467
1850s, 467
1860s, 467–468
1870s, 468
1880s, 468–469
1890s, 469
enlarging, 491
lenses, 467
price wars, 469
processing equipment, 467
Courbet, Gustave, 341