I 33
INDEX
contrasted, 673
interrelationship, 1044–1046
Landscape photography, 22, 660, 818–824,
819, see also Mountain photography
American photographers, 8200–821
contrasted with European picturesque,
821
impressionist approaches, 821
modern industrialization, 821
reformulated pictorial landscape
conventions, 821
specifi c evocation of American frontier,
821
Annan, Thomas, 46
Antarctic, 69–71, 70
Arctic, 69–71, 70
Australia, 101
Babbitt, Platt D., 106
Barbizon photographers, 823–824
Bayliss, Charles, 125
Bedford, Francis, 134, 135
Bennett, Henry Hamilton, 148–149, 149
Black, James Wallace, 164–165
New England, 164–165
Blanchard, Valentine, 166
Braun, Adolphe, 203
Brigman, Anne W., 213
British Empire, 820
Buchar, Michael, 227
Burton, Alfred Henry, 995
characterized, 818
Choiselat, Marie-Charles-Isidore, 296–297
Claine, Guillaume, 300, 301
clouds, 818
concept of the picturesque, 819–820
Dandoy, Armand, 381–382
Divald, Károly, 420
established compositional formulae, 820
European photographers, 819–820,
821–822
Evans, Frederick Henry, 504
expedition photography, 579–581
intentions, 580
U.S. government sponsored, 580–581
exposure, 818
Famin, Constant Alexandre, 519
Fenton, Roger, 527–528
focus, 818
Fox, Edward, 543–544
France, 548, 822–823
contemporary impressionist painting,
823
specifi c motifs, 823
Gale, Colonel Joseph, changing way of
rural life, 567
Giroux, André, 591
Grand Tour, 821–822
Great Britain, 609
Henderson, Alexander, 648
Hinton, Alfred Horsley, 664
Hofmeister, Oskar, 709
Hofmeister, Theodor, 709
Hollyer, Frederick, 711
Humbert de Molard, Baron Louis-Adolphe,
723
Iceland, 736
importance in 19th century literature, 819
impressionist photography, 737
India, 879
Inha, Into Kondrad, 744–745
Jackson, William Henry, 765, 766
Jocelyn, Lady Frances, 776
Keith, Thomas, 792–794
Klumb, Revert Henry, 801
Knudsen, Knud, 801–802
Kruger, Johan Friedrich Carl (Fred), 808
landscape painting, 1044–1046
contrasted, 673
interrelationship, 1044–1046
Le Gray, Gustave, 834, 835
lenses, 847
Lindt, John William, 859–861
MacFarlane, Sir Donald Horne, 879
Marissiaux, Gustave, 894, 895
mobility of equipment, 818
Mudd, James, 956
Muybridge, Eadweard James, 967, 968
Nègre, Charles, 983
Netherlands, 989, 990
new aesthetic concepts, 819
New Zealand, 995
Notman, William and Sons, 1011
Oosterhuis, Pieter, 1026
O’Sullivan, Timothy Henry, 821
pictorialism, 824
Quinet, Achille Léon, 1181
railroads, 818
Ratel, Frederic Patrice Clement Stanislas,
296–297
Robert, Louis Rémy, 1200
Rosse, Lady, 1213
Russian Empire, 1229
Silvy, Camille-Léon-Louis, 1267–1268
Stewart, John, 1341
Switzerland, 1370
technical factors, 818
as term, 819
tourism, 818
United States, 1426, 1428
Veress, Ferenc, 1442
Watzek, Hans, 1480
waxed paper process, 834
Wood, John Muir, 1508
Langaki, see Zangaki brothers
Langenheim, Friedrich, 742, 824–826
calotypes, American patent rights, 825
daguerreotypes, 824–825
episcopes, 825
glass diapositives, 825
Hyalotypes, 825
magic lanterns, 825
Schreiber, George, 825
Langenheim, Wilhelm, 742, 824–826
calotypes, American patent rights, 825
daguerreotypes, 824–825
episcopes, 825
glass diapositives, 825
Hyalotypes, 825
magic lanterns, 825
Schreiber, George, 825
Langlois, Jean-Charles, 826, 1048
Crimean War, 826
panorama painting, 826
The Lantern Record, 215
Lantern slides, 826–827, 1108, 1176–1177
anthropological photography, 54
entertainment, 826, 827
exchanges, 33
Hepworth, Thomas Craddock, 652
Highley, Samuel, 657
history of art, 827
Hyalotypes, 826
instructional tool, 826, 827
manufactured, 1520
Martin, Paul Augustus, 899–900
Muybridge, Eadweard James, 827
Rau, William Herman, 1184
Royal Geographical Society, 1217Rudge, John Arthur Roebuck, 1223
sciences, 827
subjects, 827
toning, 826
Laos, 1318–1319
Large format wood engravings, 1197
Laroche, Martin (William Henry Silvester),
827–828
Larue, Andre Leon, 323
Latent image, 828–829
aggregate, 829
concentration speck theory, 828–829
Daguerre, Louis Jacques Mandé, 828
mechanism of latent image formation,
828–829
Talbot, William Henry Fox, 828
Lauder, James Stack, see Lafayette, James
Laurent, Jean, 1325–1326
Laurent, Juan, 139
Laurent, Juan and Company, 829–830
albums, 829–830
royal photography, 829–830
Spain, 829–830
Laussedat, Amié, 1081
Lawrence, Thomas C., 1487
Lawrence & Houseworth, 1484
Lawton, Joseph, 287
Lea, Matthew Carey, 839–840
Le Blondel, Alphonse, 830–832, 831
albumen prints, 831–832
daguerreotypes, early professional
daguerreotypists, 830–831
itinerant photographers, 830, 832
Lille, France, 830, 831, 832
salt paper prints, 831–832
Lecouteux, Antoine François, 740
Legekian, G. & Co., 840
Egypt, 840
Leggo, William Augustus, 840–841
fi rst letterpress halftone reproduction, 840
patents, 840–841
Leggo & Company, 840
Leggotyping, 840
Legrand, Louis, 293
Le Gray, Gustave
advocacy of paper-based photography, 833
albumen on glass, 834
architectural photography, 834, 922
background in painting, 832
biography, 836
cloud photography, 1271
collodion on glass, 835
combination printing, 835
daguerreotypes, 832
Dumas, Alexander, 835
Egypt, 835
enthusiasm for experimentation, 833
exhibitions, 832
France’s fi rst photographic exhibition,
833
historic monuments, 834
landscape photography, 834, 835
Mestral, Auguste, 547–548, 577–578, 823,
832–836, 833, 920–922, 933–935
military photography, 835
portraits, 835
seascapes, 835, 960
sky photography, 1271
Société française de photographie, founder
member, 834
treatises, 833
truth in nature, 835
war photography, 835
waxed paper negative, 242