I 40
INDEX
Nevill, Lady Caroline Emily, 992
Nevill, Lady Henrietta Augusta, 992
Nevill, Lady Isabel Mary Frances, 992
Newfoundland, Miot, Paul-Emile, early
photographs, 932–933
New Guinea, Bíró, Lajos, 159–161
Newhall, Beaumont, 996–998, 1116
biography, 998
contemporary photographers as close
friends, 997
corporate collecting, 997
exhibitions, 997
fi rst curator of photography at the George
Eastman House, 997
formal criteria for judging photography as
fi ne art, 997
historical, critical, and aesthetic
perspective, 997
History of Photography, 997–998
Museum of Modern Art, 997
new photographic aesthetic, 997
photography as art form, 997
pre-eminent photographic historian,
996–998
publications, 997–998
seminal exhibitions curated by, 997
teaching activities, 997
Newhall, Nancy, 997, 998
Adams, Ansel, 997, 998
founded photography magazine Aperture,
997, 998
Museum of Modern Art, 997, 998
scholarly work on living photographers,
997
Newland, James William, 999
Australia, earliest known Australian
landscape photograph, 999
India, 999
traveling photographer, 999
Newman, Arthur Samuel, 999
English inventor and manufacturer, 999
Newman and Guardia Ltd, 999
Newman & Sinclair Ltd, 999
New Photography, x-rays, 1205–1206
New South Wales Government Printer, 993
Newspapers, 632
halftone printing, 632
illustrations, 698
Newton, Sir William J., 346, 609
New Universal camera, 633
New York City
Holmes, Silas A., urban imagery, 712
Prevost, Charles Henry Victor, 1170, 1171
Stieglitz, Alfred, 1342
New Zealand, 993–995
Alfred, Burton, 231
ambrotypes, 993
Barker, Alfred Charles, 113
colonial amateurs, 113
Beere, Daniel Manders, 136–137
Bragge, James, 200
Burton, Alfred Henry, 995
daguerreotypes, fi rst, 993
exhibitions, 1285
itinerant photographers, 993
journals, 1285
landscape photography, 995
learned institutions, 1284
Martin, Josiah, 899
Mundy, Daniel Louise, 963, 993–994
photographic societies, 1285
Pulman, George, 1178–1179
Valentine, George D., 1433
White, Margaret Matilda, 1496–1497
woman photographer, 994
Neyt, Adolphe L., 999–1000
amateur photographers, 999–1000
astronomical photography, 999–1000
Belgium, 999–1000
Niépce, Isidore, 365, 366, 368, 1003, 1253
Daguerre, Louis Jacques Mandé, 1003,
1005, 1006
France, funding, 546
Niépce, Joseph Nicéphore, 120–121, 289,
544, 548, 674–675, 1003–1006, 1161,
1252–1253
biography, 1006
bitumen of Judea, 1004, 1005
camera obscura, 1004
color therapy, 316
Daguerre, Louis Jacques Mandé, 365, 366,
368
business partnership, 1003, 1004–1005
formed company, 674–675
Physautotype, 1005
written correspondence, 1005
daguerreotypes, 367
earliest cameras, 244
experiments, 671
fi rst internal combustion boat motor, 1003,
1004
fi rst permanent images made by action of
light in camera, 1003
heliography, 1003, 1004, 1006
multiplying images, 674
photosensitivity of bitumen of Judea, 674
produced earliest extant stabilized
camera image, 674
to reproduce engravings, 674
heliogravures, 645, 1004
inventor of fi rst photographic process
capable of producing permanent
photographic image, 645
instantaneous photography, 747
inventor, 1003–1006
lenses, 1004, 1005
light-sensitive materials, 1004
lithography, 1003
military service, 1003
photolithography, 864
reputation, 1005–1006
Niépce de Saint-Victor, Claude Félix Abel,
104, 645, 1001–1002, 1003, 1006
albumen on glass process, 1001–1002
biography, 1002
color photography, 1002
color therapy, 317
halation, 1002
heliochromy, 1002
light, 1002
military career, 1001
research on photochemicals, 1001–1002
Niagara Falls, 820
Babbitt, Platt D., 105–106
Barker, George, 113, 113–114
Nicholls, Horace Walter, 1000–1001, 1470
Boer War, 1000
earliest photojournalists, 1000
South Africa, 1000
World War I, 1001
Imperial War Museum, 1001
women at war, 1001
Night photography, 1006–1008
calotypes, 1007
city scenes, 1008
daguerreotypes, 1007
dry plates, 1007
exposure time, 1006gelatino-bromide process, 1007
lighting, 1007–1008
Martin, Paul Augustus, 900
moon, 1007
scientifi c photography, 1007
sky, 1270
spirit photography, 1007
spiritualism movement, 1007
technically, 1006
viewing devices, 1007
wet collodion plate negatives, 1006–1007
Nitrocellulose fi lm, 699
Nizhny Novgorod, Karelin, Andrey Osipovich,
787–789
Noack, Alfred, 1007, 1007–1008
Nomenclature, problems with, 177
Nordman-Severova, Natalia
amateur photographers, 1231
woman photographer, 1231
Norfolk, England, Emerson, Peter Henry, 483
Normand, Alfred-Nicolas, 1009
architectural photography, 1009
Grand Tour, 1009
Norris dry plates, 440
North Africa
fi gure studies, Neurdein Frères
colonialist domination, 991
erotica, 991
Vignes, Louis, 1454
North America, see also United States
ethnographic photography, 500–501
Rocky Mountains, 947
North American Indian (Curtis, Edward
Sheriff), 355–357
North American Indian Project, Curtis, Edward
Sheriff, 355–357, 357
criticism, 356
ethnology, 356
fi nancing, 355–356
North Pole, aerial photography, early history,
14
Norway, 1009–1010
fi rst daguerreotype, 1009
Knudsen, Knud, 801–802
middle class, 1009
national identity, 1009
women photographers, 1010
Nostits, Ivan, 1231
Notes and Queries on Anthropology,
anthropological photography, 51–52,
1010–1011
Notman, Charles, 1012
Notman, George, 1012
Notman, William & Sons, 1011–1012
advertising, 1012
Canada, most successful 19th century
photography enterprise in North
America, 1011
fi rst photo-identity card, 1012
innovations, 1012
landscape photography, 1011
portraits, 1011
women in, 1012
Notman, William MacFarlane, 262–263, 1012
biography, 1012
engineering photography, 1011
World Fairs, 1012
Nottage, George Swan, 870–871
Novelty cameras, camera design, 253
Nude photography, 707, 1013–1015, 1031
aesthetic quality presented, 1148
artistic studies, 497–498
as artists’ aids, 1013–1014
artists’ models, 1014