I 49
INDEX
carbon prints, 270
Carjat, Etienne, 273, 274
Carrick, William, peasants in St.
Petersburg, 274–275
carte-de-visite, price, 1101
children, 1484
Clifford, Charles, 307–308
Collard, Auguste-Hippolyte, 308
Cornelius, Robert, 339–340
cost, 467
Dührkoop, Rudolf, 450
daguerreotypes, 371, 372, 677–678, 678,
753, 1138, 1473–1473
American people’s enthusiasm for, 678
fi rst, 1100
fi rst commercial photographic portrait
studio, 677–678
Petzval portrait lens, 678
price, 1101
results, 372
sentimental value, 1088
Dandoy, Armand, 381–382
Degas, Edgar, 399
de Meyer, Baron Adolph, 395–397
democratization, 431
Dodgson, Charles Lutwidge, 429, 429
Donné, Alfred, earliest datable, 436
Downey, William Ernest, 437
Elliott & Fry, 479–480
Esaki Reiji, 771
Evans, Frederick Henry, 504
Fardon, George Robinson, 523
Fenton, Roger, 527
France, 547
Genthe, Arnold, 577
Germany, 582
Ghémar, Louis, 589
Great Britain, 609, 611
Greece, 619
Gutekunst, Frederick, 629
Hansen, George E., 633
Henneman, Nicolaas, 648–649
Henschel, Albert, 651
Hering, Henry & Co., 652
Hollyer, Frederick, 711
Horn, Wilhelm (Vilém), 715
Howlett, Robert, 717
Humbert de Molard, Baron Louis-Adolphe,
723
Iceland, 736
indigenous peoples, 1466
Indonesia, 739–740
Italy, 756
Johnson, John, 1501–1502
Johnston, Frances Benjamin, 778
Käsebier, Gertrude, 790
King, Horatio Nelson, 798
Lafayette, James, 813–814
Le Gray, Gustave, 835
Levitsky, Sergey Lvovich, psychological
photo-portraits, 853, 853–854
Loecherer, Alois, 868–869
Luckhardt, Fritz, 875
Ludwig, Angerer, 39
Maes, Joseph, 885–886
Malacrida, Jules, 887
manuals, 182
Marissiaux, Gustave, 894–895
Maull & Co., 904–905
Mayer and Pierson Company, 909–910
Meade, Charles Richard, 915
Mestral, Auguste, 921
middle class, 431, 670
Morse, Samuel Finley Breese, 939
Mudd, James, 957
Myers, Eveleen, 970
Nègre, Charles, 983
Nadar, 689, 972, 973, 974–975,
1401–1402
cult of personality, 689
edges faded, 972
lack of props, 972
progression from his work in caricature,
972
subjects, 972
National Portrait Gallery, London, 65
Netherlands, 987, 988
Netherlands East Indies, 739–740
Neurdein Frères, 991
Notman, William and Sons, 1011
painted backgrounds, 1356
Petit, Pierre, 1066
“Gallery of portraits of men of the
moment,” 1066
photographic jewelry, 1086
photographic markets, 897
photography as profession, 1100
Plumbe, John Jr., 1138
police photography
disseminating portraits, 1142
format and conventions, 1142
of suspects, 1142
Portugal, 1151
postmortem photography, 1164
Potteau, Jacques-Philippe, 1167
Price, William Lake, 1171, 1172
props, 1356
Rejlander, Oscar Gustav, 1188
Reutlinger, Charles, 1191–1193
Richebourg, Pierre Ambroise, 1194
Rive, Roberto, 1197
Robert, Louis Rémy, 1199
earliest images of workers in the
workplace, 1199
Robinson, Ralph Winwood, location
portraiture, 1204
Rosse, Mary Parsons, Countess of, 1213
Sabatier-Blot, Jean-Baptiste, 1235–1236
Sarony, Oliver François Xavier, 1242
Sawyer, Lyddell, 1247
Schneider, Heinrich, 1249–1250
Schneider, Trutpert, 1249–1250
Schneider, Wilhelm, 1249–1250
Sears, Sarah Choate, 1260
Silvy, Camille-Léon-Louis, 1268
social status, 431
Spain, 1324
Stelzner, Carl Ferdinand, group pictures,
1337
Stuart-Wortley, Colonel Henry, 1354
Szathmari, Carol Popp de, 1370–1371
Tournachon, Adrien, 1401–1402
Uchida Kuichi, 1415
United States, photographic construction of
family memories, 1426
Vacquerie, Auguste, 1431
Vance, Robert H., 1440
Vigier, Le Vicomte Joseph, 1453
French royal family in exile, 1453
Washington, Augustus, abolitionist John
Brown, 1473
Watkins, Herbert, 1479
Wegener, Otto, elite audience, 1484
Wehnert-Beckmann, Bertha, 1484
Wolcott, Alexander Simon, 1501–1502
Wood, John Muir, 1508
Wynfi eld, David Wilkie, of artists, 1514–
1515, 1515Portugal, 1151–1154
architectural photography, 1152
carte-de-visite, 1151
Cifka, Wenceslau, 299–300
earliest recorded photograph, 1151
early foreign photographers, 1151
exhibitions, 1153
fi rst national photographic exhibition,
1153
fi rst permanent photographic studio, 1151
fi rst photographic book published in, 1151
Forrester, Baron Joseph James, 541
itinerant photographers, 1151, 1152
photographic studios, 1151, 1152–1154
fi rst, 1151
portraits, 1151
Relvas, Carlos, 1189
Thompson, Charles Thurston, 1386, 1387
topographical photography, 1152
Positive meniscus lens, 847
achromatic, 847
Positives, see also Specifi c processes
categories, 1154, 1158–1161
dichromate processes, 1157
distinguished by colloid, 1157
iron carboxylate processes, 1155–1156
organic processes, 1161
processes, 1154–1161, 1158–1161
silver halide processes, 1154–1155
uranium processes, 1156–1157
Positivism, 672, 1400–1401
Postcards, 1162–1163
advertisements, 1163
defi ned, 1162
design, 1163
Downey, William Ernest, 436
earliest, 1162
evolution from plain to picture, 1163
fi rst offi cial postcard, 1162
Frith, Francis & Co., 559, 560
Hawaii, 641
history, 1162
Kodak Co., 1163
Lafayette, James, 814
numbers sent, 1162
photographic retailing, 1094
physical format, 1162
pornography, 1149
postmortem photography, 1167
quintessential product of 19th century, 1162
travel photography, 1406–1407
visual antecedents, 1162
Posthumous portraiture, see Postmortem
photography
Postmodern staged photography, 28
Postmortem photography, 431, 1164–1167,
1369
advertising, 1164
albumen prints, 1166
black mourning cases, 1166
carte-de-visite, 1166
casket photographs, 1166
children, 1165
conventions from posthumous painting,
1164
daguerreotypes, 1164
death as news image, 1166
Denmark, 411
earliest, 1165
exposure times, 1165
inclusion of favorite items of deceased,
1165
intimacy of images, 1165
itinerant photography, 760–761