I 51
INDEX
Henderson, Alexander, 648
Jackson, William Henry, 765, 766
Jennings, William Nicholson, 773–774
Kilburn, Edward, 796–797
landscape photography, 818
Mudd, James, 957
Mulock, Benjamin Robert, 958
Rau, William Herman, 1184
Russell, Andrew Joseph, 1225–1227
Golden Spike Ceremony, 1225–1226
Ryder, James Fitzallen, 1233
Savage, Charles Roscoe, 1245–1246
Wittick, (George) Benjamin, 1501
Ramon y Cajal, Santiago, 1183
autochromes, 1183
color photography, 1183
Lippmann process, 1183
Nobel Prize winner, 1183
published on numerous processes, 1183
Spain, 1183
Raoult, Jean (Ivan Petrovich), 1183–1184
ethnographic photography, 1183–1184
Russia, 1183–1184
Russian-Turkish War, 1183–1184
Rapid rectilinear lens, 848–849
Rapid slide-changer, 4
Ratel, Frederic Patrice Clement Stanislas,
295–297, 296
daguerreotypes, 296, 296–297
historic monuments, 296–297
landscape photography, 296–297
Rau, William Herman, 1184
expedition photography, 1184
lantern slides, 1184
railroad photography, 1184
World Fairs, 1184
Reade, Joseph Bancroft, 1184
English chemist, 1184
successful experiments predated Talbot’s
calotype patent, 1184
Reading Establishment, 1057, 1101
Reagents
chemical development, 413
physical development, 412
Real estate, advertising, 10
Realism, memory, 1445
Reciprocity of light, Bunsen, Robert Wilhelm,
229
Record and Survey Movement, 635–636,
1306–1307
Red darkroom light, patents, 303, 304
Reducing, 490
Reeve, Lovell Augustus, 1184–1185
English publisher, 1184–1185
photographically illustrated books, 1184
Refl ecting stereoscopes, Wheatstone, Sir
Charles, 1492–1493
Refracting stereoscopes, 1452
Refractive dispersion, 1
Rehnström, Fredrik, 531
Reichenbach, Henry, 463, 464
Reid, Charles, 1186
animal photography, 1186
Reis, Philip, telephone, 841
Rejlander, Oscar Gustav, 689, 694–695,
960–961, 1187, 1187–1188, 1368,
1374–1375
allegorical photography, 27, 28, 1188
artists’ studies, 85, 86
art photography, 74–75
best-known photograph, The Two Ways of
Life, 1187–1188
children, 1188
combination printing, 1187–1188
Darwin, Charles Robert, 385
double exposure to create ghostly image,
552–553
genre photography, 576, 1188
humor, 1188
models, 75
nude studies, 1014
portraits, 1188
published writings, 1188
self-portraiture, 1262
sexuality, 1188
Relievotypes, 1155, 1430, 1487
Religion, ethnographic photography, 501–502
Relvas, Carlos, 1189
amateur photographers, 1189
art reproductions, 1189
exhibitions, 1189
historic monuments, 1189
Portugal, 1189
Rembrandt Intaglio Printing Company, 801
Renaissance, composition, 325, 326, 328
Report by the Juries. Great Exhibition of
the Work of Industry of All Nations,
506–508
Talbot, William Henry Fox, 507
Representation
objective forms, 672
refl ections on process of, 28
truth, 672–673
vision, 78
writing, 673
Reproduction, photography
botanical photography, 1099
color, 1097
dissemination of knowledge, 1099
industrial photography, 1099
ink on paper printing, 1097
manual transcription, 1099
photographic formats, 1097–1098
photographic production, 38
photomechanical processes, 1099
photomicrography, 1099
relationship, 1097–1099
science, 1099
technical barriers, 1097
technology, 606–607
Researches on Light (Hunt, Robert), 731
Retouching, 81, 624–626, 694, 737–738, 1107,
1189–1191, 1190
Bassano, Alexander, 118
Bedford, Francis, 136
carte-de-visite, 1190
coloring, 1189
Durieu, Jean-Louis-Marie-Eugène, 456
Ghémar, Louis, 589
Henneman, Nicolaas, 649
light, 1190–1191
manipulative processes, 737–738
manuals, 1190–1191
Nadar, 971
Photographic Society of London, 1189–
1190
pictorialism, 1129–1130
Ryder, James Fitzallen, 1233
Silvy, Camille-Léon-Louis, 1267
Stieglitz, Alfred, 1342, 1343
technical ease, 1190–1191
Reutlinger, Charles, 1191–1193
biography, 1192–1193
carte-de-visite, 1191, 1192
celebrity portraits, 1191–1192
erotic photography, 1192
exhibitions, 1192
portraits, 1191–1193silhouettes, 1191
theatrical photography, 1192
Reversing frame, see Printing frame
Rey, Guido, 1193, 1193
debate about photography as art, 1193
pictorialism, 1193
Reynaud, Charles-Emile, 1193–1194
inventor, 1193–1194
Reynaud, Emile, 943
Rhomaides brothers, archaeological
photography, 619
Richardson, Henry Hobson, 62
Richardson, Villroy, 1064
Richebourg, Pierre Ambroise, 1194–1195
art reproductions, 1194
collodion, 1194
daguerreotypes, 1194
exhibitions, 1194
identity cards, 1195
manuals, 1194
portraits, 1194
topical photography, 1194–1195
Rights of individual, 670
Riis, Jacob August, 63, 411, 427, 700, 1196–
1197
photojournalism, social and political
change, 1196–1197
slums of New York City, 1196–1197
Risorgimento, 756
Rittner & Goupil, 601
Rive, Roberto, 1197
historic monuments, 1197
Italy, 1197
portraits, 1197
Rivers, Mountains and Sea-coast of Yorkshire
with essays on the climate, scenery,
and ancient inhabitants of the county
(Philips, John), 188–189
Rivière, Henri, 1197–1198
amateur photographers, 1197–1198
biography, 1198
Chat Noir photographs, 1197–1198
Japonaism, 1198
lithographic printer, 1197, 1198
Paris, 1198
plays using shadow puppets, 1197
Robert, Louis Rémy, 1199, 1199–1200
architectural photography, 1200
landscape photography, 1200
portraits, 1199
earliest images of workers in the
workplace, 1199
Sèvres porcelain factory
directed atelier of painting on glass,
1199, 1200
director, 1199
still lifes, 1200
taught photography, 1199, 1200
Roberts, Tom, father of Australian landscape
painting, 116
Robertson, James, 128, 130, 1200–1202
biography, 1202
Constantinople, 1201–1202
Crimean War, 1201, 1202
Middle East, 1201
Robinson, Henry Peach, 34, 186, 220, 347,
484, 610, 695, 700, 961, 1202–1203,
1375, 1450
art photography, 981
The Brotherhood of the Linked Ring, 1203
combination prints, 75–76, 1203
Emerson, Peter Henry, public debate with,
1203
genre photography, 576