marcin
(Marcin)
#1
even the famous notaries of transformations
of Balzachian memory, they come to terms
with rhymes, wink at rhetoric, at coarseness.
Dell’Arco feels the need, since Taja ch’è rosso
[Cut that It’s Red], of 1946, to purify the stale
air being breathed. That is why he rejects the
frequently baroque and plodding
commentaries of the last decades and
entrusts himself to the suggestions of the
heart, yet never allowing them absolute
freedom, dell’Arco language being vigilant
and even rigorously calibrated. A scrupulous
scholar, but with a manly and open
crepuscular soul, he has in any case proved
he can handle even more traditional
subjects, such as The Sack of Rome and The
Rape of the Sabine Women, realizing works
that legitimately follow the line of Italian
poetry, but correcting it with the
mischievousness comparable to that of the