marcin
(Marcin)
#1
with other senses. It’s as if Marè were
making a Dantean journey, no longer
through the realms of good and evil, but
through the dissonance of syllables, through
the jungle of phonemes that crash with one
another and get angry and expect to take the
place of being. This state of inhumanity of
words leads the poet to fuse with sounds
and so he merges with his song and becomes
its victim and executioner.
No more rituals to follow, sights to
immortalize, characters of a memorable
Rome, full or half-tone portraits of a reality
to be defended by memory, now the poet
needs to find himself and place us outside
the circuit of what we could call traditional
semantics, and for this reason he pursues the
dark key to the mystery that will reveal to us
the meaning of the symbols and perhaps will
give us the opening onto the infinite.
