marcin
(Marcin)
#1
compositions comes from the lesson of the
early Palazzeschi and the early Govoni, as
Spagnoletti remind us, but dell’Arco’s
bitterness contains something more
sorrowful, as if he were the advocate of an
ancient sadness that awakens things all
around and shakes them to remind them
that they have a function and are an integral
part of life. His brush strokes complete this
sensation, betray a foreboding and instill
uneasiness. After all some of his collections
have ranged from Oriental gracefulness to
firm Greek lyricism, with sudden effusions,
at time overflowing and at times filled with
shivers, that pass like shadows over the earth
and seem to bless it, notwithstanding the
bitterness that slips in and nestles as in
Leopardi. That first timid metrical
experiment attempted by Zanazzo achieves
notable results with dell’Arco, reaching the