marcin
(Marcin)
#1
rare and controlled.
This is characteristic of Altobello’s
poetry, poised between the intention to
remain very close to the cadences and
syntactic rhythms of the popular characters,
to the communal intimacy (of both men and
nature) of that dying world, and a strictly
erudite need to elevate native speech, the
“dirty talk,” to the literary dignity of Italian
lyric tradition. To this end he turns, with
considerable risk, to one of the most ancient
and rigorous compositions: the sonnet. In
essence this “workshop” operation of fine
linguistic craftsmanship is Altobello’s poetic
challenge; and it is not superfluous to
underline that, aside from a few rare,
inevitable misses, inherent in the difference
of expressive levels (the popular and the
cultured), the Author is able to achieve a
natural symbiosis, all the more precious for