marcin
(Marcin)
#1
Bum, in the years between W.W.I and the
advent of fascism, in which he completed his
modernist training, of markedly Futurist
origin), and as a poet and writer in Italian
(Cf. Rime allegre, [Happy Verses], 1928; Vita
paesana...com’era una volta [Country
Life...How It Used to Be], 1935).
Trofa’s inspiration, consolidated by a vast
cultural background, nourished by the most
vital lymphs of Twentieth Century poetics
(D’Annunzio, Pascoli, the Crepuscolari, the
Futurists), follows two different paths: an
ironic, desecrating, mocking consideration of
certain aspects and figures of reality, and a
troubled, painful, at time dejected existential
vicissitude, modernly perceived and
modernly rendered, in a language absolutely
new, free of rhetorical frills, and intent
above all on capturing and rendering the