marcin
(Marcin)
#1
Montale, “classics” par excellence and in
every meaning of the word ─ ; in the
foreword Jovine himself notes: “[...]
Common to dialect and language are
intuitive syntheses and cultural montages; if
we believe in the natural and popular
foundation of languages and in the identity
between imagination and intellect, we must
admit the coexistence of logical and poetic
faculties even in the ‘popular’ [...],”
declaring himself convinced that “The
reader will gradually be able to verify the
correspondence between ‘cultured’ and
‘popular’ customs and the aesthetic
realization of both [...]” This is an old,
belabored question, from Vico to Croce to
Gramsci, to the structuralists and
anthropologists of the Sixties: what is
interesting in this line of study, aside from
the Author’s Gramscian convictions, are