marcin
(Marcin)
#1
personal recreation of language for purely
expressionistic purposes, instrumental only
for the primacy of artistic expression. They
address every theme by striving to render
through essentiality what standard language
should now achieve in extension or through
artifice, and, in the effort toward semantic
connotation or phonic realization, they often
tend toward the reinvention of languages
now frequently half-buried in the
consciousness of the speakers under the
constrains of levelling contaminations.
Southern dialects tend to become, as a
consequence, true languages of art, shedding
all of the dross of folklore and overcoming
the obstacles of slanginess. It is almost a
recovery of behaviors that, from the
Sixteenth to the Eighteenth Century above
all, had provided fodder for literature tout
court (I am thinking, for instance, of the