marcin
(Marcin)
#1
Giacomino Acerbo”).
Much richer and more varied is the
Twentieth-Century landscape. The century
opens with a small survey of Dialect
Documents, prepared by Gennaro Finamore
for the Rivista Abruzzese (Teramo, 1903); an
important survey not only because the first
of a series of antological surveys still to come
until the present, but also because the well-
known folklorist accompanies it with
prejudicial observations that will be often
discussed in the future, that is, that in “all
our dialect compositions in verse it is not the
poet, but the man of the people or the
populace who is speaking; and for this
reason one should not look to them for
delicacy of sentiments or high flights of
fancy.” And he suggests, chancing a hasty
comment, that the cause of the mediocrity of
results depends on the common conviction