A Critical Introduction to Modern Arabic Poetry
NAJI 129 poets, who either flourished or were brought up during that period. Here are some revealing ones: The Lost Mariner by ' ...
THE ROMANTICS 130 to practice medicine until his death. At an early age he developed a passionate interest in literature which h ...
NAJI 131 Naji's extreme form of subjectivity is expressed in his view of literature in general and poetry in particular in an es ...
THE ROMANTICS 132 the poet as a solitary figure in the dark, 'singing of his hopeless passion' (pp. 196,348). Naji is undoubtedl ...
NAJI 133 clouds but without rain, sterile they are in the regions of my soul'. His sense of exile returns, and once more he feel ...
THE ROMANTICS 134 'physical' charm and never rums her into a mere spirit, as we find in Shukri. The warm and concrete aspect of ...
NAJI 135 over the poet his disillusionment becomes almost unbearable when he realizes that she cannot live up to his ideal stand ...
THE ROMANTICS 136 to make us see that the poet is writing about a real personal experience and not merely engaged in a literary ...
TAHA 137 metre form he tended to write short pieces, probably in an attempt to avoid padding and such devices that might make it ...
THE ROMANTICS 138 Europe, especially to the landscape of Italy, Switzerland and Austria, about which he wrote some descriptive a ...
TAHA 139 poem as well as that of his collection, since one of the dominant images in Lamartine's poem is that of man journeying ...
THE ROMANTICS 140 of pity for his people is boundless. In 'God and the Poet' (pp. 87—115) he poses as the mouthpiece of sufferin ...
TAHA 141 Intoxicated with its radiance... Until night spread over me its shade Then I would lie awake amidst roses Inhaling thei ...
THE ROMANTICS 142 lust for life and his hedonism are expressed for the first time in an uninhibited manner, totally free from a ...
TAHA 143 Taha's hedonism is amply illustrated in the rest of the collection, for in- stance in 'A Night's Dream' where he addres ...
THE ROMANTICS 144 enjoyment of life, the freedom it allowed to the individual and its own exotic charms constituted a great appe ...
ABU SHABAKA 145 interesting excursions into fields other than that of lyrical verse. Spirits and Shades is a long dramatic poem ...
THE ROMANTICS 146 School where he says he was taught French properly.^75 He left school in 1922 before he had finished his educa ...
ABU SHABAKA 147 his predilection for simple dictioa muted music, short metres and multiple rhymes the influence of his readings ...
THE ROMANTICS 148 and not Warda, who has committed v sin of fornication. The first part of the poem ends with a 'vision' in whic ...
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