Historical Painting Techniques, Materials, and Studio Practice
Figure 4. James Whistler, Harmony in Grey and Green: Miss Cicely Alexander, 1872-1874. Oil on canvas. The Tate Gal lery, London ...
Figure 5. Detail from Cicely Alexander, showing areas scraped down to the canvas. 5). There are many such examples of scraped do ...
190 tion of varnish has dramatically affected the cool tones of nocturnes and some portrait backgrounds. Acknowledgments This re ...
Abstract This paper discusses aspects of paint ings executed on a photographic substrate. Inspired by Mervyn Rug gles's resear ...
192 recipes were described. The first recipe suggested combining 1 oz. white wax (bleached beeswax), 1 oz. carbon tetrachloride, ...
Figure 1. Shirley Wiitasalo, Interior, Oil and photo emulsion on canvas. Photograph courtesy of Na tional Gallery of Canada, Ot ...
194 imagery, it was the only work in which a photographic emulsion had been employed (31). Kathleen Vaughan's painting technique ...
Eder,]. M. 1945. History of Photography. New York: Columbia University Press, 791, note 4. Coe, B., and M. Haworth-Booth. 1983. ...
Abstract It is argued here that painters of the Baroque adhered to the die-hard tra dition of loading their palettes with a lim ...
Figure 1. Jan Baptiste Collaert, Color Olivi, 1566-1628. After Joharll1es Stradanus. Courtesy of the Rij"ksmuseum-Stichting, Ams ...
198 to relate to the activities depicted on the previously mentioned engraving by Collaert, which originated a hundred years ear ...
sudden increase in the dimensions of the palette is part of the argument put fo rth here (9). When one studies the distribution ...
200 bone black; and if the painter expects painting the horse to be a day's work, no other colors need be prepared fo r that day ...
Figure 2. Neutronactivation autoradiographic image of Rembrandt's Bellona, 1633. The Metropolitan Museum of Art, New York. In th ...
202 palettes as described above, it is clear that the level of accomplishment re quired was of a quite different nature to the ...
It is not clear when people first started keeping prepared paint in small pouches made of pig's bladder. The pouches are occasi ...
204 Index of Contributors J. R. J. van Asperen de Boer, 135 Sylvana Barrett, 6 Ulrich Birkmaier, 117 Barbara H. Berrie, 127 Lesl ...
Errata for Historical Painting Techniques PDF COVER ILLUSTRATION and PLATE 8 Gherardo Cibo, “Colchico,” folio 17r of Herbarium, ...
Figure 5. Gherardo Cibo, several proofs of colors and “Fusaina” flowers, from folio 184v of Herbarium, ca. 1570. © British Libra ...
PAGE 159 Figure 2. Image source: Period photo reproduced in O. von Schleinitz, William Holman Hunt (Bielefeld and Leipzig: Verla ...
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