A
accuracy in drawing, 111, 128, 179
aerial perspective, 102, 270–271, 278
Alberti, Leon Battista, 72
anatomical awareness, 204–205, 232
angles
cast drawing, 175–176
finding, preparing to draw, 46–47
planar rendering, 156
two-point perspective, 96, 98–99
animated models. Seemodeling
armature, 125
artificial light, 22, 24, 35
artistic intent, 121
art stores, 29
art supplies, purchasing, 29B
background. Seeforeground and background
ball-point pens, 121–122, 138
barn, two-point perspective demonstration, 104–113
blending tools, 17
block in
cast drawing, 175, 187
defined, 278
human figure, 231
still life setup
blocks. Seegeometric forms and shapes
blurred vision with squinting, 50
brown paper, charcoal and chalk on, 218
Brunelleschi, Filippo, 72
buying art supplies, 29C
cast drawing. See alsohuman figure; portraits
demonstration copy of a head, 153, 174–183
gallery, 184–189
museum subjects to copy, 169–173
tradition of, 168
centerlines of face, 175
chalk, white, 17, 184, 252–253
chamois cloth, 17, 62
charcoal
cast drawing, 174–183
described, 16
grades of, 174–178, 181
human figure, 249–253
line drawing, 125
palm fronds, 138–139
portrait, 214–217
charcoal paper, 19
cityscapes
as landscape, 271, 276
one-point perspective, 93
two-point perspective, 98, 101, 102, 115
clouds, 268–269
color, with pastels, of human figure, 248–258
comparison, as measurement tool, 45complex forms. Seeplanar rendering of complex forms
composition, thumbnail sketches, 264–265
cone of vision, 75, 278
construction
of grid, 129
of viewfinder, 262
construction lines (guidelines)
defined, 278
figure drawing, 236–239
two-point perspective, 104–105
conté crayons, 17, 125
continuous line drawing, 121–122, 138
contrapposto, 171, 173, 278
Corot, Jean-Baptiste-Camille, 266–267, 270
cross-sections of form, 150–151, 278
cubes in space, 78, 80, 98–100D
darkest darks. See alsotonal range
with charcoal, 174
keyed drawing, 58, 178, 217
shadows, 61, 179
da Vinci, Leonardo, 120
daylight, 23, 24
daylight bulbs, 24
deer skull, planar rendering of, 150–151, 163
Degas, Edgar, 206, 210
della Robbia, Luca, 168, 189
del Sarto, Andrea, 200–201, 233, 235
demonstrations
cast drawing, 174–183
figure drawing, 249–253
light and shadow, 50–52, 56–65
one-point perspective, 82–87
planar rendering of complex forms, 154–163
portraits, 214–217
preparing to draw, 32, 35, 44–47
two-point perspective, 104–113
details in drawing, 112–113
drawing. See also specific topics
preparing for, 32–47
studio environment, 20–29
tools for, 16–17
drawing boards, 17, 105
drawing tools, 16–17
dynamism
cast drawing, 170, 188
continuous line drawing, 121–122, 138
defined, 278
human figures, 125, 244, 245, 258
landscapes, 274
line drawing, 142
marks of spontaneity, 38–43E
easels, 24, 26–27
edges, 63, 65
ellipses, 81, 83
environment, studio, 20–29Index.
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