The architecture of humanism; a study in the history of taste

(Ben Green) #1
CHAPTER III

THEROMANTIC

FALLACY {continued)

Naturalismand the

Picturesque

I

^Romanticism has another aspect. We have seen

thatit

allows
the

poeticinterest ofdistant civilisa-

tiontosupplant theaesthetic interestofform. But

theromanticimpulseisnotattractedtohistoryalone.

Itis

inspiredbythedistantandthe past;butit is

inspired, also, by Nature. For, obviously, those

qualities which romanticism seeks, these Nature

possesses in
the

highestdegree.
Nattireis strange,

fantastic,unexpected,terrible. Likethepast,Nature

isremote. Indifferenttohumanpreoccupationsand

disowning

human agency, Nature

possessesall the

more

forciblyan imaginative
appeal. Thus, inthe

last century,andearlier, together withthe ballad-

revival and the historical fiction,
came, far

more

powerful

thaneither,

anewpoetryofNature. Under

the influence of thispoetry.
Nature's unconsidered

varietybecametheverytype
andcriterionofbeauty,

and

men wereled

byan inevitableconsequence to

valuewhat

is
various,irregular,orwild,
andtovalue
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