rigaudon, 75;
examples of, from Grieg, Rameau and MacDowell, 79, 81.
Rimsky-Korsakoff, works and features of style, 317.
Roi d’Ys, Le, 256.
Rolland, Romain, account of Beethoven inJean Christophe, 125;
Life of Beethoven, 159;
essay on Berlioz, 207.
Romanticism and Romantic School, account of, 160-165.
Romeo and JulietSymphony, comments on, 215-216.
rondo, account of, 81-85.
rondo-sonata form, 144.
Ropartz, 257;
characterization of a theme in Franck’s Symphony, 266.
Rossetti,Blessed Damozel, set by Debussy, 288.
Rossini, “crescendo” in Overtures, 62;
eulogy of Mozart, 121.
Rouet d’Omphale, Le, 256.
round, 11;
Old English Rounds, 12.
rubato (tempo), definition of, 199.
Rubinstein, movements inOcean Symphony, 95;
estimate of Mozart, 111;
characterization of the damper pedal, 191.
Runciman, quotation apropos of Weber fromOld Scores and
New Readings,
169-170.
Russian folk-songs, 30-33.
Russian music, general tendencies of, 314-315.