Chapter 63
S
Saint-Saëns, 1, 2;
comment on Berlioz’sRomeo and Juliet Symphony, 216;
account of works and style, 255-256.
Sakuntala, 154.
saltarello, 75;
Berlioz’s use of the rhythm, 211.
Sammartini, as a pioneer in Sonata-form, 93.
Santayana, 5.
sarabande, 75, 76, 77.
Scandinavian Music, 324.
Scarlatti, Alessandro, Aria da capo, 14;
operatic overture, 119.
Scarlatti, D., theCat-Fugue, 48;
as virtuoso, 74;
anticipation of Sonata-form, 93;
Courantefor pianoforte, 79;
crossing of hands in Beethoven, 141, 144.