Chapter 63

S

Saint-Saëns, 1, 2;

comment on Berlioz’sRomeo and Juliet Symphony, 216;

account of works and style, 255-256.

Sakuntala, 154.

saltarello, 75;

Berlioz’s use of the rhythm, 211.

Sammartini, as a pioneer in Sonata-form, 93.

Santayana, 5.

sarabande, 75, 76, 77.

Scandinavian Music, 324.

Scarlatti, Alessandro, Aria da capo, 14;

operatic overture, 119.

Scarlatti, D., theCat-Fugue, 48;

as virtuoso, 74;

anticipation of Sonata-form, 93;

Courantefor pianoforte, 79;

crossing of hands in Beethoven, 141, 144.