Poetry of Revolution: Romanticism and National Projects

(Sean Pound) #1
It is from Greece that Williams seamlessly transitions to Rome, as he speaks in more

detail about Horace and Vergil. These two poets, in fact, are the ones whom Coicou most often


cites in the epigraphs to individual poems in Poésies Nationales. Horace (65-8 BC) remains an


important choice for Coicou for many reasons, not the least of which was his early political


involvement and devotion to his country, as illustrated in many of the odes authored in the


thirties.^251 As will become apparent in this study of Coicou’s collection, Horace shared with


Coicou the great concern about the demise of their republics, Roman and Haitian respectively.


Additionally, Horace is known for his satire, to which we can relate some of Coicou’s use of


irony and sarcasm in various poems. Horace’s epistles may also come to mind when reading


poems Coicou addresses to specific Haitian leaders. In Horace’s Epistles ii, I, addressed to


Augustus, Horace stresses the contribution a poet makes to society as a trainer of morality.


Gordon Williams quotes this epistle in a chapter called “Poetry and Society” in his study, The


Nature of Roman Poetry. Of Horace he argues that “even more than other Augustan poets,


Horace expresses the sense that poetry has a worthy social function, and it was he, more than any


other, who was given the opportunity to demonstrate it practically.”^252


The reasons for reminders of Vergil’s poetry take on greater significance later in

Coicou’s collection with quotes from Vergil’s Aeneid, but in Williams’ preface Vergil is


mentioned for the honors he received by the emperor Augustus and the literary creativity which


places him among other poet-gods. What we know already, however, is that the Aeneid is an


epic poem about the founding of Rome and the Latin people or Latin race (as it is sometimes


translated), much like Coicou in Poésies Naitonales focuses on Haiti’s historical and mythical


(^251) This information about Horace and his poetry is taken from two sources: Gregson Davis, introduction, Odes, by
Horace (New York: The Modern Library, 2002) xi-xvii and Thomas N. Habinek, The Politics of Latin Literature:
Writing, Identity, and Empire in Ancient Rome (Princeton: Princeton University Press, 1953).
(^252) Gordon Williams, The Nature of Roman Poetry (New York: Oxford University Press, 1985) 16.

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