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Page 38 Key Changing If there is a change of key in a song you are trying to transcribe, simply locate the new key on the table ...

Page 39 Back', 'So Far Away' v, 'Respect' ch, 'Give Peace A Chance', 'Yellow Submarine' ch, 'Have I The Right'. I-VI/ C-Am: sign ...

Page 40 I-III/ Am-C: heard in 'War'. I-IV/Am-Dm: 'Shakin' All Over', 'Fool To Cry', 'Miss You', 'Fireworks', 'Dub Be Good To Me' ...

Page 41 I IV V: C F G 'Over You', 'Spanish Stroll'. I V IV: C G F 'Brimful Of Asha', 'If Not For You', 'Wind Cries Mary' v and ' ...

I IV II: C F Dm 'Gonna Give Her All The Love I've Got' ch I III IV: C Em F 'Queen Of The Slipstream'. I VI IV: C Am F 'If I Shou ...

I bIII IV: C Eb F 'Magical Mystery Tour', 'Pride (In The Name Of Love)' br, 'Twenty Five Mlles'. I bIII bVII: C Eb Bb 'The Rocke ...

Page 43 I V IV V: C G F G 'What Is Life?', 'Tangerine', 'Avalon' v, 'There She Goes' v, 'The First Cut Is The Deepest', 'Like A ...

I V II V: C G Dm G I V IVm I: C G Fm C 'Man Of The World'. I V VI V: C G Am G 'Letter From America' i. I Vm IVm I: C Gm Fm C 'Yo ...

Page 44 I VI I V: C Am C G 'Wherever I Lay My Hat' v. I VI II I: C Am Dm C 'Stoned Love'. I VI IV I: C Am F C 'One', 'Sailing' v ...

Page 45 sometimes it is felt only as a passing chord (Am Am7 F). Played as power chords in A or E, I VII VI is a favourite of 19 ...

I IVmaj I bVII: Am D Am G 'No More Heroes' hk. I V I IV: Am Em Am Dm Displaced as IV I V I in 'The Time Is Now'. I bVI bVII I: A ...

Page 46 I VI I V: Am F Am Em 'Queen' v. I VI IV VI: Am F Dm F 'Where Do You Think You're Going'. I VII I III: Am G Am C 'Sexy Bo ...

Page 47 sensitivity to the emotional and artistic possibilities of asymmetry, which in its simplest form means working with odd ...

Page 48 Marc Bolan of T.Rex was fond of combining a 12-bar I IV V progression in one part of a song with I VI IV V in another. T ...

Page 49 Before You Go-Go', 'I Guess I'll Always Love You' and 'Everybody Wants To Rule The World'. It is the main hook of 'Olymp ...

I V VI II: C G Am Dm 'Half A World Away'. ...

Page 50 I V VI IV: C G Am F The most popular of these. 'Since You've Been Gone' ch, 'Torn' ch, 'With Or Without You', 'So Lonely ...

I III VI V: C Em Am G* 'Please Forgive Me' (David Gray) v I VI II IV: C Am Dm F 'New York City Serenade'. ...

Page 51 I VI IV II: C Am F Dm 'Toledo'. Group 7 This group takes Group 1 and replaces the minor chords with majors (reverse pola ...

I IV IVm V: C F Fm G A combination of romantic and unpredictable. I IV VImaj V: C F Am G I IV VI IImaj: C F Am D 'Green Grow The ...