Landscape Photography: From Snapshots to Great Shots

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Rob Sheppard Snapshots to Landscape Photography: Great Shots From ...

Landscape Photography: From Snapshots to Great Shots Rob Sheppard Peachpit Press 1249 Eighth Street Berkeley, CA 94710 510/524- ...

DeDication To all of the beautiful and amazing natural landscapes of our world. They deserve the best from all of us as photogra ...

acknowleDgments I suppose my love of nature started with my dad being transferred to Minnesota when I was a child; he took us ca ...

Contents ...

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chapter 1: equipment introDuction viii Understanding Your Gear to Take Better Photographs Poring Over the Picture Poring Over t ...

Introduction One of the earliest photographs that I remember taking was of Gooseberry Falls in Minnesota as a teenager. I have g ...

I really want you to feel successful when photographing landscapes. I want you to be able to get excited about any landscape, no ...

4 ISO 100 1/100 sec. f/ 15mm (APS-C) ...

Composition Structuring Your Image to Communicate about a Landscape communicate about a LandScape A lot of things have been writ ...

Poring Over the Picture This is a photograph about light, pattern, and texture on Florida’s Atlantic Coast. It was shot before d ...

ISO 100 1/2 sec. f/ 10mm (APS-C) The color of the sky balances the color of the water in the tidepool. ...

76 LandScape photographY: From SnapShotS to great ShotS Poring Over the Picture I happened to be in northern Minnesota just afte ...

chapter 4: compoSition 77 ISO 100 1/500 sec. f/6. 14mm (Four Thirds) The sky was blank blue, so I minimized it in the image, sho ...

78 LandScape photographY: From SnapShotS to great ShotS Getting Out of the Middle One of the deadliest traps for good landscape ...

chapter 4: compoSition 79 the ruLe oF thirdS: When to FoLLoW it and When to ignore it Once you start studying a bit about compos ...

80 LandScape photographY: From SnapShotS to great ShotS The rule of thirds goes further by dividing the picture into thirds from ...

chapter 4: compoSition 81 Next, put the two horizontal lines and two vertical lines together over the picture (Figure 4.6). They ...