Appendix 3.03 Survey of The Neurosciences
and Music III Conference 2008
Disorders and Plasticity
Title, Category
AimMus. Material, Cultural Ref.Technology & ProcedureMain focus of interestConclusion64S. Pet
ersen et al.(437-440)
Musical ear training after cochlear implantation
Cat. 10. Training
Cat. 11: Deficit 65S. Särkämö et al.
(442
-445)
Amusia and cognitive defects after stroke
Cat. 11: DeficitTo evaluate the behavioral and neurologic effects of musical ear trainingonCochlear Implant (CI) users’ speech and music perception.3 and 6 months training in playing, singing,andlisteningTo study the relationship betweenmusical andcognitive deficits by testing Middle Cerebral Arterial (MCA) strokepatientsforamusia and formemory,verbal and visuospatial abilitiesTest stimuli: Melodies in pure tones f3 to c5. Rhythm patterns: Sampled sound of cowbell for ”call”, woodblock sound for ”response” in same/different task
CR: Western
Test material:A shortenedversion of the Montreal Battery of Evaluation of Amusia (MBEA): Subtests of scale, contour, interval, rhythm, meter, and memory.Synthesized piano tones
CR: WesternSpeech tests: 1. repeatwordscorrectly. 2. identify ”sad” or ”happy” sentences.Music tests :- Melody and
rhythm. 2. Pitch-ranking.- Timbre recognition 53 patients were studied
1week after stroke. On the basis of their performance on the MBEA scale and rhythmsubtests, 32were classifiedasamusic and 21 as nonamusic. Plusexaminationusing an extensive neuropsychological testing batteryPET scanning to detect regional cerebral blood flow (rCBF) in auditory brain areas with relation to music and speech. Scan and test procedures before training, andafter 3 and 6 months
Amusics’ deficits in executive functioning, working memory and learning, verbalexpression and comprehension, and visuospatial cognition and attentionThe goal is to find and work out musical methods to improve CI users’ auditory capabilities and, in a longerperspective, provide a strategy for improving speech understanding
Acquired amusia is a common deficit after an acute MCA strokein the left or right hemisphere, esp. if it affectsthefrontal lobeand auditorycortex.Domain-generalattention, executive, and working memory processesare associated with amusiaPart VII. Music, Language, and Motor Programming: A Common Neural Organization?(66-76)Title, CategoryAimMus. Material, Cultural Ref.Technology & ProcedureMain focus of interestConclusion- Fadiga et al.
(448
-458)
Broca’s area in language, action, and music
Cat. 17: Sensory-motor- Patel et al.
(459-469)Synchronization to musical beat in animals
Cat. 4: Meter Cat. 17: Sensory-motorTo review research showingthat the inferior frontal gyrus (IFG) and the ventral premotor cortex (PMv) are activated for tasks other than language production
To discuss: What kind of animals can synchronize to musical rhythms,and whatare the key methodologicalissues for research in thisarea?No particular musical material
CR:---
Reference to the author’s experiment with acockatoobird which exhibits genuine synchronization to a musical beat at several different musical tempi CR: NeutralReview of literature. 87 references
Review of literature. 49 referencesThe involvement of IFG and PMv in language comprehension, action execution and observation, and music execution and listening. Possible relationship to mirror
neuron system.Hypothesis: Beat Perception and Synchronization(BPS)builds on the brain circuitry for vocal learning. i.e.learning toproduce complex acousticcommunication signals based on imitationBroca’s area (the posterior part of the IFG) may be a center ofa brain networkencoding hierarchicalstructures regardless of their use in action,language and music
The study of animal synchronization to music may have broader signifiance, e.g. for the understanding of Parkinson’s disease, because BPS has a powerful impact on the human motor system