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0521551335 apx 2 CUNY 160 /Joannides 052155 133 1 January 11 , 2007 14 : 26
446 APPENDIX 2. THE LAWRENCE COLLECTION OF DRAWINGS(advertisement in theBurlington Magazine,January 1990 ,p.
v). See 1830 - 121 for further details.- 1830 - 37 / 1836 - 79 / 1838 - 46 / 1850 - 142 ?/Locker
[-Lampson]/BM W 11 - 1830 - 88 / 1836 - 60 / 1838 - 31 / 1850 - 132 ,asVenusti/Miss K.
Radford/BM W 71.
1 02. 1830 - 89 / 1836 - 65 (the provenance is given in 1836
as Buonarroti and Wicar, but because the drawing bears
theBona Rotiinscription, it probably did not come from
Casa Buonarroti)/ 1838 - 36 / 1850 - 133 ,asMarcello Venusti/BM
W 72. - 1830 - 149 ?/Lawrence Gallery, 1853 ,no. 2 /J. C. Robin-
son/Morgan Library, IV. 7 ;Corpus 399.
The highly finished MorganAnnunciationpresents a prob-
lem. It is probable but not certain that it is identical with
no. 149 in the Inventory of 1830 ,but it is puzzling that so
important a drawing was not exhibited in 1836 .Nor does
it appear to have been among the drawings sold to William
of Holland, although he certainly purchased the two associ-
ated sketches now in the British Museum, W 71 and W 72.
The Morgan drawing was illustrated as plate 2 in Wood-
burn’sLawrence Galleryof 1853 ,and seems to be alone among
the thirty drawings included in that publication not to have
been exhibited in 1836 ,which is again puzzling. Whether
it was a drawing that Woodburn retained, or sold privately
and subsequently re-purchased, or whether it passed through
William’s hands but somehow escaped separate identification
in his sale catalogue is conjectural.
The price that this drawing realised in186 0suggests that
it was not believed to be autograph. It was re-attributed
to Michelangelo by Wilde, 1959 ,and his view has been
followed by most later scholars, including the compiler. - 1830 - 41 / 1836 - 73 / 1838 - 41 / 1850 - 15 8/Lawrence Gallery,
1853 ,pl. 4 /BM W 58.
1 05. 1830 - 34 / 1836 - 72 / 1838 - 40 / 1850 - 169 /Lawrence Gallery,
1853 ,pl. 3 /Duke of Portland Collection.
106.Not identified in the 1830 inventory/Not exhib-
ited in 1836 /Not sold to William II of Holland/William
Bloxam/His gift to Rugby School, Inv. R/S II 13 ;black
chalk, 199 × 278 mm. - 1830 - 73 / 1836 - 66 / 1838 - 37 / 1850 - 149 /Clarke Collection/
Cambridge, Fitzwilliam Museum.
108.Taddeo Zuccaro. Ottley sale, 1814 - 1492 as Taddeo
Zuccaro/Sir Thomas Lawrence/ 1830 -Not identified/Chic-
ago, Art Institute of Chicago, 1928 - 196 (McCullagh and
Giles, 1997 ,no.35 0). - 1830 - 64 i,ii,iii/ 1836 - 88 / 1838 - 53 / 1850 - 129 ,asMarcello
Venusti/Lawrence Gallery, 1853 ,pl. 7 /BM W 76 - 78. - 1830 - 42 / 1836 - 85 / 1838 - 50 / 1850 - 167 /Bayonne, Bean
- 1830 - 44 / 1836 - 87 / 1838 - 52 / 1850 - 13 0,asSebastiano del
Piombo/Lawrence Gallery, 1853 ,pl. 12 /BM W 17. - 1830 - 36 / 1836 - 83 / 1838 - 48 / 1850 - 13 0,asSebastiano del
Piombo/186 0- 112 /BM W 16. - 1830 - 21 (with further details)/ 1836 - 22 / 1838 - 8 / 1850 -
145 /Brooks/Malcolm 67 /BMW 67. - 1830 - 49 / 1836 - 28 / 1838 - 13 / 1850 - 15 2/Lawrence Gallery,
1853 ,pl. 9 /Count Antoine Seilern/London, Courtauld
Institute of Art, Prince’s Gate Collection. - 1830 - 47 /probably 1836 - 27 / 1838 - 12 / 1850 - 105 /Malcolm
73 /BM W 81. - 1830 - 48 / 1836 - 25 / 1838 - 10 / 1850 - 171 /Malcolm 73 /BM
W 82. - 1830 - 70 / 1836 - 29 / 1838 - 14 / 1850 - 127 /Lawrence Gallery,
1853 ,pl. 8 /186 0- 117 /BM W 32. - 1807 - 375 / 1814 - 1764 ,bought by Dimsdale?/ 1830 -Not
identified/Not exhibited in 1836 /part of August, 1838 pur-
chase of William II of Holland?/ 1850 - 15 0, bought by
Brondgeest, 60 guilders/Untraced.
If this drawing is identical with 1850 - 15 0as seems likely,
it would have to be assumed that it passed from Brondgeest
to Woodburn between 1850 and 1853 .Perhaps it was a black
chalk copy of Michelangelo’s red chalkDepositionin Haar-
lem, Teyler Museum, VT 60 /Corpus 89. - 1830 - 40 / 1836 - 64 / 1838 - 35 / 1850 - 18 0/bought by Enson,
£ 52. 10 s/Brooks Collection/F. T. Palgrave Collection, sold
at Christie’s, 4 June 1886 ,bought by J. C. Robinson/
Agnew’s, London. Acquired by Mrs. Gardner in 1902 for
the Isabella Stewart Gardner Museum, Boston. See 1830 - 40
for further details.
1 20.Pierre Crozat?; his number? 396 at lower left/Count
Moritz von Fries (L. 2903 )/ 1830 - 93 / 1836 - 58 / 1838 - 29 / 1850 -
141 ?, bought by Enthoven, 200 guilders/Lawrence Gallery,
1853 ,pl. 10 /BM W 69. - 1830 - 45 i/ 1836 - 62 / 1838 - 33 / 1850 - 122 /Lawrence Gallery,
1853 ,pl. 11 /BM W 52.
1 22. 1830 - 20 /Probably 1836 - 24 / 1838 - 9 / 1850 -Not identi-
fied/Vaughan/BM W 53. - 1830 - 11 ?/ 1836 - 26 / 1838 - 11 / 1850 -not securely identifi-
able, perhaps 144 /J. C. Robinson/Malcolm 64 /BM W 54.
1 24. 1830 - 4 / 1836 - 13 / 1838 - 3 / 1850 - 135 /BM W 4.
125.Reproduced by Ottley,Italian School,f.p. 33 / 1814 -
1768 / 1836 - 84 / 1838 - 49 / 1850 - 103 /E. Galichon, his sale, May
1875 ,lot 16 /Malcolm 80 /BM W 60. - 1830 - 69 / 1836 - 86 / 1838 - 51 / 1850 - 119 /Lawrence Gallery,
1853 ,pl. 14 /Thibaudeau/Bayonne, Musee Bonnat, Bean ́