Cultural Geography
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A Rough Guide Kay Anderson, Mona Domosh, Steve Pile and Nigel Thrift GEOGRAPHY’S CULTURE This is a Handbook of Cultural Geograph ...
2 HANDBOOK OF CULTURAL GEOGRAPHY In this introduction, we are not going to provide a history – or life story – of cultural geogr ...
A ROUGH GUIDE 3 Culture as distribution of things All groups of people produce cultural artefacts, from the everyday personal it ...
4 HANDBOOK OF CULTURAL GEOGRAPHY criticism – a consistent focus has been the assortment of practices that constitute people and ...
A ROUGH GUIDE 5 But these approaches have been criticized as too reliant on the discursive, ignoring the very real material cond ...
6 HANDBOOK OF CULTURAL GEOGRAPHY work, much of which is intended to be an active engagement with what we might call (following t ...
A ROUGH GUIDE 7 attempts to nuance such accounts by appealing to different scales which allow for a similar set of spatial regis ...
8 HANDBOOK OF CULTURAL GEOGRAPHY a kind of foraging postmodernity, but this is surely ill-conceived. Rather, it is an attempt to ...
A ROUGH GUIDE^9 engagement, cultural geography is rightly seen as ‘empirical’ in some sense, but this is no naive stance. In man ...
10 HANDBOOK OF CULTURAL GEOGRAPHY situations, and they can produce reactions of disgust and shame. It is no surprise that aromas ...
A ROUGH GUIDE 11 conjunction with each other. The explosion of new spice routes post-Columbus brought even more regions into the ...
12 HANDBOOK OF CULTURAL GEOGRAPHY Cornell University. Lawless also coined the term ‘tip of the nose phenomenon’. Take away the r ...
A ROUGH GUIDE 13 are all. It therefore values the emblems of its way of life: considered writing, the interpretation of images a ...
14 HANDBOOK OF CULTURAL GEOGRAPHY The refrain is a prism ... it acts upon that which surrounds it ... extracting from it various ...
A ROUGH GUIDE 15 the marble columns to learn they were not of cardboard, to seat one’s self in one of the damask-and-gold arm-ch ...
16 HANDBOOK OF CULTURAL GEOGRAPHY building industries took full advantage of the wealth flowing into and out of Wall Street, and ...
A ROUGH GUIDE 17 to destroy you, the only recourse is to retreat hurriedly to the space you can control – that of the home. Most ...
18 HANDBOOK OF CULTURAL GEOGRAPHY difficult to imagine why. In late nineteenth-century New York City, middle- and upper-class wo ...
A ROUGH GUIDE 19 reasons. In the artefacts they display, their orderings and codings, urban agricultural shows speak to well-kno ...
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