96 contemporary poetry
University Press, 1984 ). All subsequent references to this
edition are given in the text.
58. Yusef Komunyakaa, Blue Notes: Essays, Interviews, and
Commentaries (Ann Arbor, MI: University of Michigan Press,
2000 ), p. 14
59. Komunyakaa, Blue Notes, p. 36.
60. Ibid. p. 36.
61. Ibid. pp. 36 – 7.
62. Kevin Stein, ‘Vietnam and the “Voice Within”: Public and
Private History in Yusef Komunyakaa’s Dien Cai Dau’, The
Massachusetts Review, 36 ( 1995 – 6 ), 541 – 61 (p. 548 ).
63. Maya Lin, cited in Carol Becker, Surpassing the Spectacle:
Global Transformations and the Changing Politics (Lanham:
Rowman & Littlefi eld, 2002 ), p. 90.
64. Theodor Adorno, ‘On Lyric Poetry and Society’, in Rolf
Tiedemann (ed.), Notes to Literature, Volume One, trans.
Shierry Weber Nicholsen (New York: Columbia University
Press, 1991 ), pp. 37 – 54 (p. 43 ).
65. Rita Dove, Selected Poems (New York: Pantheon, 1993 ), pp.
133 – 5. All subsequent references to this edition are given in
the text.
66. Rita Dove, ‘Stan Sanvel Rubin and Judith Kitchen: Interview
with Rita Dove’, Black American Literature Forum, 20. 3 ( 1986 ),
227 – 40 (p. 232 ).
67. Rita Dove, ‘Writing “Parsley” ’, in Robert Pack and Jay Parini
(eds), Introspections: American Poets On One of Their Own Poems
(Middlebury, VT: Middlebury College Press, 1997 ), p. 79.
68. M. NourbeSe Philip, Zong! (Middletown, CT: Wesleyan
University Press, 2008 ), p. 194. All subsequent references to
this edition are given in the text.
69. NourbeSe Philip, Zong! p. 100.
70. M. NourbeSe Philip, Zong!. Available online at http://www.fascicle.
com/issue 01 /Poets/philip 1 .htm.
71. Ibid.
72. M. NourbeSe Philip, ‘Defending the Dead, Confronting the
Archive: A Conversation with M. NourbeSe Philip by Patricia
Saunders’, Small Axe: A Caribbean Journal of Criticism (June
2008 ), 63 – 79 (p. 72 ).