Non-Representational Theory: Space | politics | affect
Bourdieu offers a promising account of the way in which non-intentional and non-deliberate incorporation of norms takes place. W ...
whereas Bourdieu fails to take account of the way in which a performative can break with and assume new contexts, refiguring the ...
a method of textual practice, or by other methods: it is a question of saying what use it has in the extra-textual practice that ...
Performing arts/arts of performing The last use of the metaphor of performance is in the performing arts, in the conduct of crea ...
and performance art and in the dematerialization of the visual arts which arose out of the convergence of art media, forms, and ...
knowledges that derive from improvisatory immediacy and presence; performance is the art of (and the art of valuing) the now:^19 ...
a much wider range of cultural activities, from rituals to theatre and beyond. More recently, liminality has become the key conc ...
It is always possible the performance may fail. This performance is always inherently interactive, and fundamentally risky. ‘Amo ...
1998: 8 7 ). Again, much performance is now being written in different scripts which better capture embodied practice, for examp ...
Let me now turn to a specific illustration of these thoughts: the medium of dance. It would, of course, have been possible to co ...
for recording dance (but see Franko 1993). Now, of course, there are a number of these systems. Labanotation records the dancing ...
and in the criteria specified for physical competence, a coherent (or not so coherent) set of principles that govern the action ...
Resisting both the idealised body of ballet and the dramatically expressive body of modern dance, contact seeks to create what C ...
go in and feel ‘well, I’m just one of the crowd’. It’s sad because you don’t stand out and nobody knows you. You’re just – and t ...
Again, it may also mean a connection to community theatre with its undoubted affective investments: Such performances are not ma ...
you have to be out of it. Externality is necessary. And yet to grasp a rhythm you must yourself have been grabbed by it, given o ...
all a City of ghosts. For Benjamin, the field of such negotiations is not exhausted by actual past experiences of the City, but ...
becomes destructive, but at other times it suggests a kind of curious, almost unconscious communication. (Albright 199 7 : xix–x ...
origin and effect. Non-representational work, in contrast, is concerned with multiplying performative methodologies which allow ...
from Bakhtin to Deleuze. And, in his search for a philosophy as an embodied, aesthetically engaging way of life, Dewey was makin ...
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