Lydian ....................................................................................................
Figure 6-9 shows the F Lydian mode. To build a Lydian mode on another note
besides F, you would use the pattern WWWHWWH.
The Lydian mode is the complete opposite of the Ionian mode/major scale,
so it feels as solid and bright as a major scale but the intervals are surprising
and unexpected. This is a popular mode among jazz musicians who enjoy
using a mixture of major and minor chord progression in inventive ways.
Mixolydian .............................................................................................
Figure 6-10 shows the G Mixolydian mode. To build a Mixolydian mode on
another note besides G, you would use the pattern WWHWWHW.
Mixolydian is similar to Lydian in the sense of having a major-scale feel with
minor intervals, and it’s a great mode to work within to give a bluesy feel to
your compositions. Mixolydian mode is another popular scale for solo musi-
cians looking for a counterpoint to the Ionian key of the song.
&4
4
œ œ œ
œ œ œ œ
œ œ œ
œ œ œ œ
̇
Figure 6-10:
The
Mixolydian
mode is
often used
for blues
and bluesy
rock music.
&4
4
œ œ œ
œ œ œ œ
œ œ œ
œ œ œ œ
̇
Figure 6-9:
The Lydian
mode has
something
of a sur-
prising,
jazzy feel
to it.
62 Part II: Melody and Development