Board_Advisors_etc 3..5

ways recognize the limitation of their angles and acknowledge the paradox of photography as a silent discourse or a visual text. ...

text; one can see an image without necessarily making anything out of it. In other words, the image does not explain but opens t ...

DOCUMENTARY PHOTOGRAPHY Photography’s inclination for documentation was recognized since—or even before—its inception, and even ...

when Riis used his photographs in slide projector lectures and his publicationHow the Other Half Lives: Studies Among the Teneme ...

extremely sharp close-ups of natural and man- made things of beauty—received recognition and became the new model of the serious ...

American Photographsbook and exhibition, also at MoMA. Hired by the FSA in 1935, Evans pursued his idea of documenting American ...

and subjects with greater aesthetic appeal were incor- porated, attracting photographers known for their advanced fine-art aesth ...

limited to an informative function. As the name indicates, photojournalistic images are made to ful- fill the visual needs of th ...

wider distribution. In 1962, Edward Steichen, still curator of photography at MoMA, organizedThe Bitter Years 1935–1941: Rural A ...

from mainstream society, as inThe Bikeriders(1968) a study of the Chicago Outlaw Motorcycle Club to which he belonged, and Conve ...

problems of the twentieth century—the ravages of war, the brutality of life in poorly-developed coun- tries, and the plight of c ...

print where the edges of the shadow fall. The thin wire handle allows the photographer to dodge any- where on the image—even in ...

ROBERT DOISNEAU French Despite a career in commercial photography that included a wide range of industrial, advertising, fashion ...

as part of a spread on young lovers in Paris and marks the beginning of a period of international recognition with exhibitions i ...

Doisneau 40/44 Robert Doisneau ou la desobeissance; Centre d’Histoire de la Resistance et de la Deportation de Lyon, France 1996 ...

1968 L’Oeil Objectif; Muse ́e Cantini, Marseille 1972 Boubat/Brassaı ̈/Cartier-Bresson/Douisneau/Izis/Ronis; French Embassy, Mos ...

fruit of his passionate and contemplative approach is evident in numerous publications, such asKoten JunreiandNihon no Tera. In ...

Individual Exhibitions 1955 Kotoˆno Kodomotachi(Children of Downtown Tokyo); Nihonbashi Takashimaya Department Store, Tokyo, Jap ...

studio in the center of the city. His outstanding por- traits attracted first the clientele from the Prague art circles, soon af ...

nocturnal light. The lighting, which the portrait photo- grapher selects, must underline all the characteristic face particulari ...