Board_Advisors_etc 3..5

wartime efforts during the early 1940s, the direction of the company would dramatically change when in 1944 Land first conceived ...

After Land’s departure, Polaroid Corporation continued to flourish in the early 1980s. By 1983, the company had reached over 13, ...

McElheny, Victor K.Insisting on the Impossible: The Life of Edwin Land. Cambridge, MA: Perseus Books, 1998. Sullivan, Constance, ...

its January issue presents the Annual International Picture Contest, where the editors select and pub- lish 50–75 images from th ...

suburbs of Chicago. He was the second of the five children of James Foster Porter, an architect and biologist, and Ruth Wadswort ...

prints, countering Adams’s comments that color was too close to nature by pointing out the great degree of control the dye-trans ...

1944 Photographs by Eliot Porter; National Audubon Society, New York, New York 1946 Leaders in Photography: Eliot Porter; Univer ...

Eliot Porter, Wild Sarsaparilla, Aralia nudicaulis, Madison, New Hampshire, June 1, 1953, gelatin silver print. Original in colo ...

Porter, Eliot, et al.Gala ́pagos: The Flow of Wildness. San Francisco: Sierra Club, 1968. Porter, Jonathan.All Under Heaven: The ...

‘‘honorable’’ self, it defined itself against a shadow archive, which included ‘‘the poor, the diseased, the insane, the crimina ...

eyes. Similar in spirit to the self-portraits of the surrealist Claude Cahun, Ray’s portraits of Du- champ reveal the self to be ...

Imogen Cunningham, Subway, New York, 1956, gelatin silver print, 22.619.5 cm, Museum Purchase. [Photograph courtesy of George E ...

of the individual face. But whether or not contem- porary artists self-consciously critique the portrait and the discourses, ins ...

posterization, creating something with the strong graphic qualities and visual impact of a poster. When Romer first drew attenti ...

to the grade of printing paper was introduced as compensation. Occasionally the technique of poster- ization was used, advantage ...

value. Jameson refers to this change as well when he refers to modernism as being characterized by pro- duction, and to postmode ...

the traditional assumption that the medium is an empty conveyer of pure, unaltered reality. In fact, because of the photographer ...

viewer to acknowledge the monotonous, frequently serialized repetition of mass media. The work also refers to the reproduction p ...

Seealso:Appropriation; Deconstruction; History of Photography: the 1980s; Photographic ‘‘Truth’’; Photographic Theory Biography ...

Galerie am Landesmuseum Joanneum und Ku ̈nstle- rhaus Graz, Austria 1996 Young Americans: New American Art in the Saatchi Collec ...